[{"height": 1425, "img_url": "snowmtl.ru/latest/the-demon-blades/72/0.webp", "translations": [{"bbox": ["35", "484", "621", "542"], "fr": "L\u0027artiste principal Liang Mian est l\u00e0 ! R\u00e9pondez aux questions populaires~", "id": "Penulis utama Liang Mian telah tiba! Silakan jawab pertanyaan populer~", "pt": "O DESENHISTA PRINCIPAL LIANG MIAN CHEGOU! POR FAVOR, RESPONDA \u00c0S PERGUNTAS MAIS FREQUENTES~", "text": "LEAD ARTIST YUZI LIANGMIAN IS HERE! ANSWERING POPULAR QUESTIONS~", "tr": "Ba\u015f \u00c7izer Liangmian burada! Pop\u00fcler sorular\u0131 yan\u0131tlay\u0131n~"}, {"bbox": ["9", "951", "872", "1414"], "fr": "Q : Il y a de nombreux personnages dans \u00ab Cang Feng Xing \u00bb. Je suppose que l\u0027artiste principal a d\u00fb consacrer beaucoup d\u0027efforts \u00e0 la cr\u00e9ation de chaque personnage. Pouvez-vous nous parler des difficult\u00e9s et des joies de la cr\u00e9ation ? R : J\u0027ai l\u0027impression que lorsque les gens posent cette question, ils veulent peut-\u00eatre savoir quel est l\u0027\u00e9tat d\u0027esprit pendant le processus de cr\u00e9ation d\u0027un manga. Comme j\u0027ai travaill\u00e9 dans l\u0027animation auparavant, les deux sont assez li\u00e9s. Cr\u00e9er un manga me donne plus de contr\u00f4le, car l\u0027animation est r\u00e9alis\u00e9e par plusieurs personnes. Pendant le processus de cr\u00e9ation, je me sens comme un r\u00e9alisateur et un acteur. Ce qui est amusant, c\u0027est que lorsque je dessine un personnage avec une forte personnalit\u00e9, je joue la sc\u00e8ne et le personnage, en trouvant un endroit o\u00f9 personne ne peut me voir, sinon les gens me trouveraient bizarre (rires XD).", "id": "T: Ada banyak karakter yang muncul di \"Zang Feng Xing\". Saya percaya penulis utama juga telah berusaha keras dalam membentuk setiap karakter. Bisakah Anda berbicara tentang suka duka dalam berkreasi?\nJ: Saya rasa ketika semua orang menanyakan pertanyaan ini, mereka mungkin ingin tahu bagaimana kondisi proses pembuatan komik. Karena saya dulu bekerja di bidang animasi, kedua bidang ini cukup terkait. Membuat komik memberi saya kendali yang lebih besar, karena animasi melibatkan banyak orang. Selama proses kreatif, saya merasa seperti sutradara sekaligus aktor. Bagian yang menyenangkan adalah, ketika menggambar karakter yang lebih unik, saya akan memerankan storyboard dan karakter tersebut, mencari tempat di mana tidak ada yang bisa melihat, kalau tidak orang lain akan menganggapnya aneh (tertawa XD).", "pt": "P: \u0027CANG FENG XING\u0027 TEM MUITOS PERSONAGENS. ACREDITO QUE O DESENHISTA PRINCIPAL DEDICOU MUITO ESFOR\u00c7O NA CRIA\u00c7\u00c3O DE CADA UM. PODERIA FALAR SOBRE AS DIFICULDADES E ALEGRIAS DA CRIA\u00c7\u00c3O?\nR: SINTO QUE, QUANDO AS PESSOAS FAZEM ESSA PERGUNTA, ELAS PROVAVELMENTE QUEREM SABER COMO \u00c9 O ESTADO DURANTE O PROCESSO DE CRIA\u00c7\u00c3O DE UM MANG\u00c1. COMO TRABALHEI COM ANIMA\u00c7\u00c3O NO PASSADO, AS DUAS \u00c1REAS S\u00c3O BASTANTE INTERLIGADAS. AO CRIAR UM MANG\u00c1, TENHO UM CONTROLE MAIOR, POIS A ANIMA\u00c7\u00c3O \u00c9 EXECUTADA POR V\u00c1RIAS PESSOAS. DURANTE O PROCESSO CRIATIVO, SINTO-ME COMO UM DIRETOR E ATOR. A PARTE DIVERTIDA \u00c9 QUE, AO DESENHAR UM PERSONAGEM COM UMA PERSONALIDADE MARCANTE, EU ENCENO O STORYBOARD E A ATUA\u00c7\u00c3O DO PERSONAGEM EM UM LUGAR ONDE NINGU\u00c9M POSSA VER, CASO CONTR\u00c1RIO, AS PESSOAS ACHARIAM ESTRANHO (RISOS XD).", "text": "Q: WITH SO MANY CHARACTERS IN *NIRVANA IN FIRE*, I BELIEVE YOU\u0027VE PUT A LOT OF EFFORT INTO SHAPING EACH ONE. CAN YOU TALK ABOUT THE JOYS AND CHALLENGES OF CREATION? A: I THINK THIS QUESTION IS PROBABLY ASKING ABOUT THE STATE OF MIND DURING THE CREATION PROCESS. BECAUSE I WORKED IN ANIMATION IN MY EARLY YEARS, THE TWO ARE QUITE INTERCONNECTED. CREATING COMICS GIVES ME MORE CONTROL, AS ANIMATION INVOLVES MANY PEOPLE. DURING THE CREATION PROCESS, I FEEL LIKE A DIRECTOR AND ACTOR. THE FUN PART IS, WHEN DRAWING A CHARACTER WITH A STRONG PERSONALITY, I\u0027LL ACT OUT THE PANELS AND THE CHARACTER\u0027S PERFORMANCE, FINDING A PLACE WHERE NO ONE CAN SEE ME, OTHERWISE, IT WOULD BE A BIT STRANGE (LAUGHS XD).", "tr": "S: \u0027Gizli K\u0131l\u0131\u00e7 Efsanesi\u0027nde bir\u00e7ok karakter yer al\u0131yor. Ba\u015f \u00e7izerin her karakteri yarat\u0131rken \u00e7ok \u00e7aba sarf etti\u011fine inan\u0131yorum. Yarat\u0131m s\u00fcrecinin zorluklar\u0131ndan ve zevklerinden bahseder misiniz?\nC: San\u0131r\u0131m bu soruyu soranlar, manga yaratma s\u00fcrecinin nas\u0131l bir durumda oldu\u011funu merak ediyorlar. \u00c7\u00fcnk\u00fc ben eskiden animasyon yap\u0131yordum ve bu ikisi olduk\u00e7a ba\u011flant\u0131l\u0131. Manga yarat\u0131rken kendi kontrol\u00fcm daha fazla oluyor \u00e7\u00fcnk\u00fc animasyon bir\u00e7ok ki\u015fi taraf\u0131ndan yap\u0131l\u0131yor. Yarat\u0131m s\u00fcrecinde kendimi bir y\u00f6netmen ve oyuncu gibi hissediyorum. E\u011flenceli yan\u0131 ise, \u00f6zellikle \u00f6zg\u00fcn bir karakter \u00e7izerken, kimsenin g\u00f6rmeyece\u011fi bir yerde storyboard\u0027u ve karakterin performans\u0131n\u0131 sergiliyorum, yoksa ba\u015fkalar\u0131 g\u00f6rse garip bulabilir (g\u00fcl\u00fcyor XD)."}, {"bbox": ["9", "607", "874", "1414"], "fr": "L\u0027artiste principal Liang Mian a r\u00e9pondu \u00e0 de nombreuses questions populaires lors du direct. Ceux qui l\u0027ont manqu\u00e9, venez voir~ Comment \u00ab Cang Feng Xing \u00bb a-t-il \u00e9tabli son identit\u00e9 unique ? R : \u00c0 mon avis, les mots-cl\u00e9s de \u00ab Cang Feng Xing \u00bb sont : chevalerie, justice et \u00e9motion. Nous esp\u00e9rons que cette \u0153uvre tournera autour de ces trois mots et pr\u00e9sentera ces caract\u00e9ristiques. Q : Il y a de nombreux personnages dans \u00ab Cang Feng Xing \u00bb. Je suppose que l\u0027artiste principal a d\u00fb consacrer beaucoup d\u0027efforts \u00e0 la cr\u00e9ation de chaque personnage. Pouvez-vous nous parler des difficult\u00e9s et des joies de la cr\u00e9ation ? R : J\u0027ai l\u0027impression que lorsque les gens posent cette question, ils veulent peut-\u00eatre savoir quel est l\u0027\u00e9tat d\u0027esprit pendant le processus de cr\u00e9ation d\u0027un manga. Comme j\u0027ai travaill\u00e9 dans l\u0027animation auparavant, les deux sont assez li\u00e9s. Cr\u00e9er un manga me donne plus de contr\u00f4le, car l\u0027animation est r\u00e9alis\u00e9e par plusieurs personnes. Pendant le processus de cr\u00e9ation, je me sens comme un r\u00e9alisateur et un acteur. Ce qui est amusant, c\u0027est que lorsque je dessine un personnage avec une forte personnalit\u00e9, je joue la sc\u00e8ne et le personnage, en trouvant un endroit o\u00f9 personne ne peut me voir, sinon les gens me trouveraient bizarre (rires XD).", "id": "Penulis utama Liang Mian menjawab banyak pertanyaan populer dalam siaran langsung. Bagi teman-teman yang melewatkan siaran langsung, silakan lihat~ Bagaimana \"Zang Feng Xing\" membangun label uniknya?\nJ: Menurut saya, label \"Zang Feng Xing\" adalah tiga kata ini: Ksatria, Keadilan, dan Perasaan. Kami berharap karya ini dapat berpusat pada ketiga kata ini dan menampilkan label tersebut.\nT: Ada banyak karakter yang muncul di \"Zang Feng Xing\". Saya percaya penulis utama juga telah berusaha keras dalam membentuk setiap karakter. Bisakah Anda berbicara tentang suka duka dalam berkreasi?\nJ: Saya rasa ketika semua orang menanyakan pertanyaan ini, mereka mungkin ingin tahu bagaimana kondisi proses pembuatan komik. Karena saya dulu bekerja di bidang animasi, kedua bidang ini cukup terkait. Membuat komik memberi saya kendali yang lebih besar, karena animasi melibatkan banyak orang. Selama proses kreatif, saya merasa seperti sutradara sekaligus aktor. Bagian yang menyenangkan adalah, ketika menggambar karakter yang lebih unik, saya akan memerankan storyboard dan karakter tersebut, mencari tempat di mana tidak ada yang bisa melihat, kalau tidak orang lain akan menganggapnya aneh (tertawa XD).", "pt": "O DESENHISTA PRINCIPAL LIANG MIAN RESPONDEU A MUITAS PERGUNTAS POPULARES NA TRANSMISS\u00c3O AO VIVO. PARA AQUELES QUE PERDERAM, VENHAM VER~ COMO \u0027CANG FENG XING\u0027 ESTABELECEU SEUS R\u00d3TULOS \u00daNICOS?\nR: NA MINHA OPINI\u00c3O, OS R\u00d3TULOS DE \u0027CANG FENG XING\u0027 S\u00c3O ESTAS TR\u00caS PALAVRAS: HERO\u00cdSMO, JUSTI\u00c7A E EMO\u00c7\u00c3O. ESPERAMOS QUE ESTA OBRA SE DESENVOLVA EM TORNO DESSAS TR\u00caS PALAVRAS, APRESENTANDO TAIS R\u00d3TULOS. P: \u0027CANG FENG XING\u0027 TEM MUITOS PERSONAGENS. ACREDITO QUE O DESENHISTA PRINCIPAL DEDICOU MUITO ESFOR\u00c7O NA CRIA\u00c7\u00c3O DE CADA UM. PODERIA FALAR SOBRE AS DIFICULDADES E ALEGRIAS DA CRIA\u00c7\u00c3O?\nR: SINTO QUE, QUANDO AS PESSOAS FAZEM ESSA PERGUNTA, ELAS PROVAVELMENTE QUEREM SABER COMO \u00c9 O ESTADO DURANTE O PROCESSO DE CRIA\u00c7\u00c3O DE UM MANG\u00c1. COMO TRABALHEI COM ANIMA\u00c7\u00c3O NO PASSADO, AS DUAS \u00c1REAS S\u00c3O BASTANTE INTERLIGADAS. AO CRIAR UM MANG\u00c1, TENHO UM CONTROLE MAIOR, POIS A ANIMA\u00c7\u00c3O \u00c9 EXECUTADA POR V\u00c1RIAS PESSOAS. DURANTE O PROCESSO CRIATIVO, SINTO-ME COMO UM DIRETOR E ATOR. A PARTE DIVERTIDA \u00c9 QUE, AO DESENHAR UM PERSONAGEM COM UMA PERSONALIDADE MARCANTE, EU ENCENO O STORYBOARD E A ATUA\u00c7\u00c3O DO PERSONAGEM EM UM LUGAR ONDE NINGU\u00c9M POSSA VER, CASO CONTR\u00c1RIO, AS PESSOAS ACHARIAM ESTRANHO (RISOS XD).", "text": "...", "tr": "Ba\u015f \u00c7izer Liangmian canl\u0131 yay\u0131nda bir\u00e7ok pop\u00fcler soruyu yan\u0131tlad\u0131, canl\u0131 yay\u0131n\u0131 ka\u00e7\u0131ranlar buraya baks\u0131n~ \u0027Gizli K\u0131l\u0131\u00e7 Efsanesi\u0027 i\u00e7in nas\u0131l benzersiz bir etiket olu\u015fturdunuz?\nC: Bana g\u00f6re, \u0027Gizli K\u0131l\u0131\u00e7 Efsanesi\u0027nin etiketi \u015fu \u00fc\u00e7 kelimedir: kahramanl\u0131k, adalet ve duygu. Bu eserin bu \u00fc\u00e7 kelime etraf\u0131nda geli\u015fmesini ve b\u00f6yle bir etiket sunmas\u0131n\u0131 umuyoruz.\nS: \u0027Gizli K\u0131l\u0131\u00e7 Efsanesi\u0027nde bir\u00e7ok karakter yer al\u0131yor. Ba\u015f \u00e7izerin her karakteri yarat\u0131rken \u00e7ok \u00e7aba sarf etti\u011fine inan\u0131yorum. Yarat\u0131m s\u00fcrecinin zorluklar\u0131ndan ve zevklerinden bahseder misiniz?\nC: San\u0131r\u0131m bu soruyu soranlar, manga yaratma s\u00fcrecinin nas\u0131l bir durumda oldu\u011funu merak ediyorlar. \u00c7\u00fcnk\u00fc ben eskiden animasyon yap\u0131yordum ve bu ikisi olduk\u00e7a ba\u011flant\u0131l\u0131. Manga yarat\u0131rken kendi kontrol\u00fcm daha fazla oluyor \u00e7\u00fcnk\u00fc animasyon bir\u00e7ok ki\u015fi taraf\u0131ndan yap\u0131l\u0131yor. Yarat\u0131m s\u00fcrecinde kendimi bir y\u00f6netmen ve oyuncu gibi hissediyorum. E\u011flenceli yan\u0131 ise, \u00f6zellikle \u00f6zg\u00fcn bir karakter \u00e7izerken, kimsenin g\u00f6rmeyece\u011fi bir yerde storyboard\u0027u ve karakterin performans\u0131n\u0131 sergiliyorum, yoksa ba\u015fkalar\u0131 g\u00f6rse garip bulabilir (g\u00fcl\u00fcyor XD)."}], "width": 900}, {"height": 1425, "img_url": "snowmtl.ru/latest/the-demon-blades/72/1.webp", "translations": [{"bbox": ["311", "1025", "369", "1068"], "fr": "Encore et encore.", "id": "Berkali-kali benar.", "pt": "MAIS UMA VEZ, E DE NOVO.", "text": "AGAIN AND AGAIN", "tr": "Tekrar tekrar kontrol edildi."}, {"bbox": ["159", "1153", "218", "1185"], "fr": "Quelqu\u0027un d\u0027aussi \u00e2g\u00e9 dans la famille ? Moi, c\u0027est deux voix pour la num\u00e9ro deux du Pavillon de la Lune d\u0027Eau.", "id": "Apakah departemen di rumah setua itu? Saya dari Paviliun Shuiyue, dua suara dukungan.", "pt": "SUA FAM\u00cdLIA TEM UM DEPARTAMENTO T\u00c3O ANTIGO? EU SOU DO PAVILH\u00c3O DA LUA AQU\u00c1TICA, DOIS VOTOS.", "text": "DO YOU HAVE A WIFE?", "tr": "Evde o kadar ya\u015fl\u0131s\u0131 m\u0131 var? Ben Shuiyue Ting\u0027in ikinci destek\u00e7isiyim."}, {"bbox": ["186", "938", "226", "962"], "fr": "", "id": "", "pt": "", "text": "...", "tr": "", "zh": ""}, {"bbox": ["581", "1066", "613", "1094"], "fr": "", "id": "", "pt": "", "text": "...", "tr": "", "zh": ""}, {"bbox": ["617", "974", "654", "997"], "fr": "Fleuve de Dix Mille Li", "id": "Wanli Jiang", "pt": "RIO DE DEZ MIL MILHAS", "text": "WANLI RIVER", "tr": "Bin Mil Akarsu"}, {"bbox": ["139", "1014", "168", "1023"], "fr": "", "id": "", "pt": "", "text": "...", "tr": "", "zh": ""}, {"bbox": ["34", "207", "859", "870"], "fr": "Q : Combien de temps a-t-il fallu pour dessiner ce manhua ? R : Comme c\u0027est une \u0153uvre longue, la pr\u00e9paration initiale a pris plus d\u0027un an, y compris l\u0027organisation du sc\u00e9nario, la d\u00e9finition des personnages, la d\u00e9termination du style artistique, etc. Q : Pouvez-vous prendre Ran Hongxia comme exemple pour expliquer comment les param\u00e8tres officiels sont d\u00e9termin\u00e9s ? R : Nous voulons que nos personnages f\u00e9minins soient attirants. J\u0027ai assimil\u00e9 la description de sa personnalit\u00e9 dans le sc\u00e9nario et je suis parti de l\u00e0. Pour les aspects ext\u00e9rieurs comme la coiffure, je me suis principalement inspir\u00e9 des filles de l\u0027entreprise. Parce qu\u0027il n\u0027y a pas que notre \u00e9quipe de manga dans l\u0027entreprise, il y a d\u0027autres \u00e9quipes de manga, j\u0027observe habituellement les coiffures et les sourcils de ces filles, puis je combine ces \u00e9l\u00e9ments.", "id": "T: Berapa lama waktu yang dibutuhkan untuk menggambar komik ini?\nJ: Karena ini adalah karya panjang, persiapan awal memakan waktu lebih dari setahun, termasuk menyusun naskah, menentukan desain karakter, menentukan gaya seni, dll.\nT: Bisakah Anda menjelaskan bagaimana pengaturan resmi ditentukan, misalnya untuk Ran Hongxia?\nJ: Kami ingin karakter wanita kami menarik. Saya mencerna deskripsi kepribadiannya dalam naskah, dan mulai dari kepribadiannya. Untuk hal-hal eksternal lainnya seperti gaya rambut, saya terutama merujuk pada para gadis di perusahaan. Karena perusahaan kami tidak hanya memiliki satu tim komik, ada tim komik lain, saya biasanya mengamati gaya rambut dan alis para gadis ini, lalu menggabungkannya.", "pt": "A SELE\u00c7\u00c3O DOS PERSONAGENS ENVOLVE CONSIDERA\u00c7\u00d5ES DETALHADAS. P: QUANTO TEMPO LEVOU PARA DESENHAR ESTE MANG\u00c1?\nR: POR SER UMA OBRA LONGA, A PREPARA\u00c7\u00c3O INICIAL LEVOU MAIS DE UM ANO, INCLUINDO A ORGANIZA\u00c7\u00c3O DO ROTEIRO, A DEFINI\u00c7\u00c3O DO DESIGN DOS PERSONAGENS, A DEFINI\u00c7\u00c3O DO ESTILO ART\u00cdSTICO, ETC. P: PODERIA USAR RAN HONGXIA COMO EXEMPLO PARA EXPLICAR COMO O DESIGN OFICIAL FOI DEFINIDO?\nR: QUEREMOS QUE NOSSAS PERSONAGENS FEMININAS SEJAM ATRAENTES. EU PROCESSEI A DESCRI\u00c7\u00c3O DA PERSONALIDADE DELA NO ROTEIRO E PARTI DA\u00cd. PARA ASPECTOS EXTERNOS, COMO PENTEADOS, INSPIREI-ME PRINCIPALMENTE NAS GAROTAS DA EMPRESA. COMO N\u00c3O SOMOS O \u00daNICO GRUPO DE MANG\u00c1 NA EMPRESA, H\u00c1 OUTROS. EU COSTUMO OBSERVAR OS PENTEADOS E SOBRANCELHAS DESSAS GAROTAS E COMBINO ESSES ELEMENTOS.", "text": "Q: HOW LONG DID IT TAKE TO DRAW THIS COMIC? A: BECAUSE THIS IS A LONG WORK, THE EARLY PREPARATION TOOK MORE THAN A YEAR, INCLUDING ORGANIZING THE SCRIPT, FINALIZING CHARACTER DESIGNS, AND DETERMINING THE ART STYLE. Q: CAN YOU TAKE RAN HONGXIA AS AN EXAMPLE AND EXPLAIN HOW THE OFFICIAL SETTINGS WERE DETERMINED? A: WE WANTED OUR FEMALE CHARACTERS TO BE ATTRACTIVE. I DIGESTED THE SCRIPT\u0027S DESCRIPTION OF HER PERSONALITY AND STARTED FROM THERE. FOR OTHER EXTERNAL ASPECTS LIKE HAIRSTYLE, I MAINLY REFERENCED THE WOMEN IN OUR COMPANY. BECAUSE OUR COMPANY HAS MORE THAN ONE COMICS TEAM, I USUALLY OBSERVE THE HAIRSTYLES AND EYEBROWS OF THESE WOMEN AND COMBINE THEM.", "tr": "karakterin tan\u0131m\u0131 hakk\u0131nda kabaca bir fikir sahibi olmak.\nS: Bu mangay\u0131 \u00e7izmek ne kadar s\u00fcrd\u00fc?\nC: Bu uzun soluklu bir \u00e7al\u0131\u015fma oldu\u011fu i\u00e7in, senaryonun d\u00fczenlenmesi, karakter tasar\u0131mlar\u0131n\u0131n belirlenmesi, sanat tarz\u0131n\u0131n belirlenmesi gibi \u00f6n haz\u0131rl\u0131klar bir y\u0131ldan fazla s\u00fcrd\u00fc.\nS: Ran Hongxia\u0027y\u0131 \u00f6rnek alarak resmi ayarlar\u0131n nas\u0131l belirlendi\u011fini anlatabilir misiniz?\nC: Kad\u0131n karakterlerimizin \u00e7ekici olmas\u0131n\u0131 istiyoruz. Senaryodaki karakter tan\u0131mlamas\u0131n\u0131 \u00f6z\u00fcmsedim ve onun ki\u015fili\u011finden yola \u00e7\u0131kt\u0131m. Sa\u00e7 modeli gibi di\u011fer d\u0131\u015f \u00f6zellikler i\u00e7inse \u00e7o\u011funlukla \u015firketteki k\u0131zlardan ilham ald\u0131m. \u00c7\u00fcnk\u00fc \u015firkette sadece bizim manga ekibimiz yok, ba\u015fka manga ekipleri de var. Genellikle bu k\u0131zlar\u0131n sa\u00e7 modellerini, ka\u015flar\u0131n\u0131 g\u00f6zlemler ve bunlar\u0131 bir araya getiririm."}, {"bbox": ["518", "1004", "543", "1018"], "fr": "", "id": "", "pt": "", "text": "...", "tr": "", "zh": ""}, {"bbox": ["714", "1004", "754", "1017"], "fr": "", "id": "", "pt": "", "text": "...", "tr": "", "zh": ""}, {"bbox": ["0", "33", "874", "322"], "fr": "Q : L\u0027artiste principal a-t-il communiqu\u00e9 avec le sc\u00e9nariste Wuhou Qingyan lors de la cr\u00e9ation des designs de personnages sp\u00e9cifiques et du sc\u00e9nario ? Ou \u00e9tait-ce de l\u0027improvisation ? R : Il faut absolument communiquer avec le sc\u00e9nariste Wuhou Qingyan, nous communiquons et discutons souvent. Parfois, je dessine un personnage et je demande \u00e0 l\u0027autre de deviner \u00e0 qui il ressemble, ainsi nous pouvons avoir une id\u00e9e g\u00e9n\u00e9rale de la conception du personnage.", "id": "T: Apakah penulis utama berkomunikasi dengan Guru Wuhou Qingyan saat membuat desain karakter tertentu dan naskah, atau apakah Anda berkreasi dengan bebas?\nJ: Tentu saja saya harus berkomunikasi dengan Guru Wuhou Qingyan. Kami sering berkomunikasi dan berdiskusi. Terkadang saya akan menggambar sebuah karakter dan meminta pihak lain menebak siapa karakter ini, sehingga kami bisa memiliki pemahaman yang cukup baik tentang identitas karakter tersebut.", "pt": "P: O DESENHISTA PRINCIPAL SE COMUNICOU COM O PROFESSOR WUHOU QINGYAN AO CRIAR O DESIGN ESPEC\u00cdFICO DOS PERSONAGENS E O ROTEIRO, OU TEVE LIBERDADE CRIATIVA?\nR: COM CERTEZA TIVEMOS QUE NOS COMUNICAR COM O PROFESSOR WUHOU QINGYAN; N\u00d3S FREQUENTEMENTE NOS COMUNICAMOS E DISCUTIMOS. \u00c0S VEZES, EU DESENHO UM PERSONAGEM E PE\u00c7O \u00c0 OUTRA PARTE PARA ADIVINHAR QUEM \u00c9, ASSIM PODEMOS TER UMA COMPREENS\u00c3O GERAL DA DEFINI\u00c7\u00c3O DO PERSONAGEM.", "text": "Q: WHEN CREATING SPECIFIC CHARACTER DESIGNS, DO YOU COMMUNICATE WITH SCRIPTWRITER WU HOU QINGYAN, OR DO YOU HAVE FREE REIN? A: I DEFINITELY NEED TO COMMUNICATE WITH WU HOU QINGYAN. WE OFTEN COMMUNICATE AND DISCUSS. SOMETIMES I DRAW A CHARACTER AND ASK HIM TO GUESS WHO IT RESEMBLES, SO WE CAN HAVE A GENERAL GRASP OF THE CHARACTER.", "tr": "S: Ba\u015f \u00e7izer, belirli karakter tasar\u0131mlar\u0131 ve senaryolar olu\u015ftururken Yazar Wu Hou Qing Yan ile ileti\u015fim kuruyor musunuz, yoksa \u00f6zg\u00fcrce mi hareket ediyorsunuz?\nC: Bu konuda kesinlikle Yazar Wu Hou Qing Yan ile ileti\u015fim kuruyoruz, s\u0131k s\u0131k ileti\u015fim kurup tart\u0131\u015f\u0131yoruz. Bazen bir karakter \u00e7izerim ve kar\u015f\u0131 taraf\u0131n bu karakterin kime benzedi\u011fini tahmin etmesini isterim, bu sayede karakterin tan\u0131m\u0131 hakk\u0131nda kabaca bir fikir sahibi oluruz."}, {"bbox": ["34", "207", "859", "870"], "fr": "Q : Combien de temps a-t-il fallu pour dessiner ce manhua ? R : Comme c\u0027est une \u0153uvre longue, la pr\u00e9paration initiale a pris plus d\u0027un an, y compris l\u0027organisation du sc\u00e9nario, la d\u00e9finition des personnages, la d\u00e9termination du style artistique, etc. Q : Pouvez-vous prendre Ran Hongxia comme exemple pour expliquer comment les param\u00e8tres officiels sont d\u00e9termin\u00e9s ? R : Nous voulons que nos personnages f\u00e9minins soient attirants. J\u0027ai assimil\u00e9 la description de sa personnalit\u00e9 dans le sc\u00e9nario et je suis parti de l\u00e0. Pour les aspects ext\u00e9rieurs comme la coiffure, je me suis principalement inspir\u00e9 des filles de l\u0027entreprise. Parce qu\u0027il n\u0027y a pas que notre \u00e9quipe de manga dans l\u0027entreprise, il y a d\u0027autres \u00e9quipes de manga, j\u0027observe habituellement les coiffures et les sourcils de ces filles, puis je combine ces \u00e9l\u00e9ments.", "id": "T: Berapa lama waktu yang dibutuhkan untuk menggambar komik ini?\nJ: Karena ini adalah karya panjang, persiapan awal memakan waktu lebih dari setahun, termasuk menyusun naskah, menentukan desain karakter, menentukan gaya seni, dll.\nT: Bisakah Anda menjelaskan bagaimana pengaturan resmi ditentukan, misalnya untuk Ran Hongxia?\nJ: Kami ingin karakter wanita kami menarik. Saya mencerna deskripsi kepribadiannya dalam naskah, dan mulai dari kepribadiannya. Untuk hal-hal eksternal lainnya seperti gaya rambut, saya terutama merujuk pada para gadis di perusahaan. Karena perusahaan kami tidak hanya memiliki satu tim komik, ada tim komik lain, saya biasanya mengamati gaya rambut dan alis para gadis ini, lalu menggabungkannya.", "pt": "A SELE\u00c7\u00c3O DOS PERSONAGENS ENVOLVE CONSIDERA\u00c7\u00d5ES DETALHADAS. P: QUANTO TEMPO LEVOU PARA DESENHAR ESTE MANG\u00c1?\nR: POR SER UMA OBRA LONGA, A PREPARA\u00c7\u00c3O INICIAL LEVOU MAIS DE UM ANO, INCLUINDO A ORGANIZA\u00c7\u00c3O DO ROTEIRO, A DEFINI\u00c7\u00c3O DO DESIGN DOS PERSONAGENS, A DEFINI\u00c7\u00c3O DO ESTILO ART\u00cdSTICO, ETC. P: PODERIA USAR RAN HONGXIA COMO EXEMPLO PARA EXPLICAR COMO O DESIGN OFICIAL FOI DEFINIDO?\nR: QUEREMOS QUE NOSSAS PERSONAGENS FEMININAS SEJAM ATRAENTES. EU PROCESSEI A DESCRI\u00c7\u00c3O DA PERSONALIDADE DELA NO ROTEIRO E PARTI DA\u00cd. PARA ASPECTOS EXTERNOS, COMO PENTEADOS, INSPIREI-ME PRINCIPALMENTE NAS GAROTAS DA EMPRESA. COMO N\u00c3O SOMOS O \u00daNICO GRUPO DE MANG\u00c1 NA EMPRESA, H\u00c1 OUTROS. EU COSTUMO OBSERVAR OS PENTEADOS E SOBRANCELHAS DESSAS GAROTAS E COMBINO ESSES ELEMENTOS.", "text": "Q: HOW LONG DID IT TAKE TO DRAW THIS COMIC? A: BECAUSE THIS IS A LONG WORK, THE EARLY PREPARATION TOOK MORE THAN A YEAR, INCLUDING ORGANIZING THE SCRIPT, FINALIZING CHARACTER DESIGNS, AND DETERMINING THE ART STYLE. Q: CAN YOU TAKE RAN HONGXIA AS AN EXAMPLE AND EXPLAIN HOW THE OFFICIAL SETTINGS WERE DETERMINED? A: WE WANTED OUR FEMALE CHARACTERS TO BE ATTRACTIVE. I DIGESTED THE SCRIPT\u0027S DESCRIPTION OF HER PERSONALITY AND STARTED FROM THERE. FOR OTHER EXTERNAL ASPECTS LIKE HAIRSTYLE, I MAINLY REFERENCED THE WOMEN IN OUR COMPANY. BECAUSE OUR COMPANY HAS MORE THAN ONE COMICS TEAM, I USUALLY OBSERVE THE HAIRSTYLES AND EYEBROWS OF THESE WOMEN AND COMBINE THEM.", "tr": "karakterin tan\u0131m\u0131 hakk\u0131nda kabaca bir fikir sahibi olmak.\nS: Bu mangay\u0131 \u00e7izmek ne kadar s\u00fcrd\u00fc?\nC: Bu uzun soluklu bir \u00e7al\u0131\u015fma oldu\u011fu i\u00e7in, senaryonun d\u00fczenlenmesi, karakter tasar\u0131mlar\u0131n\u0131n belirlenmesi, sanat tarz\u0131n\u0131n belirlenmesi gibi \u00f6n haz\u0131rl\u0131klar bir y\u0131ldan fazla s\u00fcrd\u00fc.\nS: Ran Hongxia\u0027y\u0131 \u00f6rnek alarak resmi ayarlar\u0131n nas\u0131l belirlendi\u011fini anlatabilir misiniz?\nC: Kad\u0131n karakterlerimizin \u00e7ekici olmas\u0131n\u0131 istiyoruz. Senaryodaki karakter tan\u0131mlamas\u0131n\u0131 \u00f6z\u00fcmsedim ve onun ki\u015fili\u011finden yola \u00e7\u0131kt\u0131m. Sa\u00e7 modeli gibi di\u011fer d\u0131\u015f \u00f6zellikler i\u00e7inse \u00e7o\u011funlukla \u015firketteki k\u0131zlardan ilham ald\u0131m. \u00c7\u00fcnk\u00fc \u015firkette sadece bizim manga ekibimiz yok, ba\u015fka manga ekipleri de var. Genellikle bu k\u0131zlar\u0131n sa\u00e7 modellerini, ka\u015flar\u0131n\u0131 g\u00f6zlemler ve bunlar\u0131 bir araya getiririm."}], "width": 900}, {"height": 1500, "img_url": "snowmtl.ru/latest/the-demon-blades/72/2.webp", "translations": [{"bbox": ["33", "448", "872", "1092"], "fr": "Q : Un ami demande, quand l\u0027artiste Liang Mian a-t-il commenc\u00e9 \u00e0 dessiner des mangas ? R : J\u0027ai dessin\u00e9 quelques petits mangas il y a longtemps, mais je n\u0027ai jamais officiellement travaill\u00e9 sur un manga long format comme \u00ab Cang Feng Xing \u00bb. J\u0027ai d\u0027abord travaill\u00e9 dans l\u0027animation, dessinant des storyboards pendant un certain temps. Q : Sera-t-il possible d\u0027avoir deux mises \u00e0 jour par semaine \u00e0 l\u0027avenir ? Une seule mise \u00e0 jour par semaine n\u0027est pas assez satisfaisante. R : Je sais que tout le monde veut vraiment voir la suite de l\u0027histoire et pense que des graphismes plus simples seraient acceptables, mais je pense que notre histoire de manga ne devrait pas trop sacrifier la forme d\u0027expression. C\u0027est comme un film, si vous avez un bon sc\u00e9nario mais que vous le tournez avec des effets sp\u00e9ciaux \u00e0 bas co\u00fbt et des d\u00e9cors tr\u00e8s faux, cela affectera grandement votre exp\u00e9rience de visionnage. Nous esp\u00e9rons plut\u00f4t que le manga pourra pr\u00e9senter davantage de saveur picturale. Nous nous pr\u00e9parons progressivement \u00e0 faire deux mises \u00e0 jour par semaine, et nous esp\u00e9rons \u00e9galement que tout le monde pourra nous apporter plus de soutien, afin que nous puissions investir davantage de main-d\u0027\u0153uvre dans cette \u0153uvre.", "id": "T: Ada teman yang bertanya, kapan Guru Liang Mian mulai menggambar komik?\nJ: Saya pernah menggambar beberapa komik kecil sejak lama, tetapi belum pernah secara resmi membuat komik panjang seperti \"Zang Feng Xing\". Saya dulu bekerja di animasi, menggambar storyboard animasi untuk beberapa waktu.\nT: Apakah ada kemungkinan update dua kali seminggu di masa depan? Sekarang hanya satu update seminggu, kurang memuaskan.\nJ: Saya tahu semua orang sangat ingin melihat kelanjutan cerita, dan berpikir tidak apa-apa jika gambarnya sedikit sederhana. Tapi menurut saya, cerita komik kami tidak boleh terlalu mengorbankan bentuk penyajian. Sama seperti film, jika ada naskah yang bagus, tetapi Anda membuatnya dengan efek murahan dan adegan palsu, itu akan sangat memengaruhi pengalaman menonton Anda. Kami lebih berharap komik ini dapat menampilkan lebih banyak cita rasa lukisan. Kami sekarang sedang secara bertahap mempersiapkan update dua kali seminggu. Kami juga berharap semua orang dapat memberi kami lebih banyak dukungan, sehingga kami dapat menginvestasikan lebih banyak sumber daya manusia untuk karya ini.", "pt": "P: ALGUNS AMIGOS PERGUNTARAM QUANDO O PROFESSOR LIANG MIAN COME\u00c7OU A DESENHAR MANG\u00c1S.\nR: EU DESENHEI ALGUNS MANG\u00c1S PEQUENOS H\u00c1 MUITO TEMPO, MAS NUNCA FIZ OFICIALMENTE UM MANG\u00c1 LONGO COMO \u0027CANG FENG XING\u0027. NO IN\u00cdCIO, EU TRABALHAVA COM ANIMA\u00c7\u00c3O E DESENHEI STORYBOARDS DE ANIMA\u00c7\u00c3O POR UM TEMPO. P: HAVER\u00c1 A POSSIBILIDADE DE DUAS ATUALIZA\u00c7\u00d5ES POR SEMANA NO FUTURO? VER APENAS UMA ATUALIZA\u00c7\u00c3O POR SEMANA N\u00c3O \u00c9 SATISFAT\u00d3RIO O SUFICIENTE.\nR: EU SEI QUE TODOS EST\u00c3O ANSIOSOS PARA VER O DESENROLAR DA HIST\u00d3RIA E ACHAM QUE UMA ARTE MAIS SIMPLES SERIA ACEIT\u00c1VEL, MAS ACREDITO QUE NOSSA HIST\u00d3RIA EM MANG\u00c1 N\u00c3O DEVERIA SACRIFICAR DEMAIS A FORMA DE EXPRESS\u00c3O. \u00c9 COMO UM FILME: SE VOC\u00ca TEM UM BOM ROTEIRO, MAS O FILMA COM EFEITOS ESPECIAIS BARATOS E CEN\u00c1RIOS FALSOS, ISSO AFETAR\u00c1 MUITO SUA EXPERI\u00caNCIA DE VISUALIZA\u00c7\u00c3O. ESPERAMOS APRESENTAR MAIS DO \u0027SABOR\u0027 DA PINTURA NO MANG\u00c1. ESTAMOS GRADUALMENTE NOS PREPARANDO PARA DUAS ATUALIZA\u00c7\u00d5ES, E TAMB\u00c9M ESPERAMOS QUE TODOS POSSAM NOS DAR MAIS APOIO, PARA QUE POSSAMOS INVESTIR MAIS M\u00c3O DE OBRA NESTA OBRA.", "text": "...", "tr": "S: Baz\u0131 arkada\u015flar soruyor, Liangmian Hoca ne zaman manga \u00e7izmeye ba\u015flad\u0131?\nC: \u00c7ok uzun zaman \u00f6nce baz\u0131 k\u00fc\u00e7\u00fck mangalar \u00e7izdim, ancak \u0027Gizli K\u0131l\u0131\u00e7 Efsanesi\u0027 gibi uzun soluklu bir manga \u00fczerinde resmi olarak \u00e7al\u0131\u015fmam\u0131\u015ft\u0131m. \u0130lk zamanlar\u0131mda animasyon yap\u0131yordum, bir s\u00fcre animasyon storyboard\u0027lar\u0131 \u00e7izdim.\nS: Gelecekte haftada iki b\u00f6l\u00fcm yay\u0131nlama ihtimali var m\u0131? \u015eu an haftada bir b\u00f6l\u00fcm izlemek pek tatmin edici de\u011fil.\nC: Herkesin hikayenin devam\u0131n\u0131 merak etti\u011fini biliyorum, \u00e7izimler biraz basit olsa da olur diye d\u00fc\u015f\u00fcnebilirsiniz, ama bence manga hikayemiz ifade bi\u00e7iminden \u00e7ok fazla \u00f6d\u00fcn vermemeli. T\u0131pk\u0131 bir film gibi, iyi bir senaryonuz varsa ama onu ucuz efektlerle, \u00e7ok sahte sahnelerle \u00e7ekerseniz, izleme deneyiminizi \u00e7ok etkiler. Biz daha \u00e7ok mangada daha fazla \u00e7izim tad\u0131 sunabilmeyi umuyoruz. \u015eu anda yava\u015f yava\u015f haftada iki b\u00f6l\u00fcm yay\u0131nlama haz\u0131rl\u0131klar\u0131na ba\u015flad\u0131k ve herkesin bize daha fazla destek vermesini umuyoruz, b\u00f6ylece bu esere daha fazla insan g\u00fcc\u00fc ay\u0131rabiliriz."}, {"bbox": ["0", "1264", "634", "1499"], "fr": "Q : Bonjour l\u0027artiste principal ! Pourriez-vous envisager de dessiner certains personnages un peu plus joliment \u00e0 l\u0027avenir ? Par exemple, Ren Yizi, d\u0027apr\u00e8s son attitude et son ton, elle devrait \u00eatre une jeune fille, mais j\u0027ai toujours l\u0027impression qu\u0027elle est dessin\u00e9e un peu...", "id": "T: Halo penulis utama! Bolehkah bertanya apakah di masa depan Anda bisa mempertimbangkan untuk menggambar beberapa karakter agar terlihat lebih cantik? Misalnya Ren Yizi, dari penampilan dan nada bicaranya dia seharusnya seorang gadis muda, tapi saya selalu merasa dia digambar agak...", "pt": "P: OL\u00c1, DESENHISTA PRINCIPAL! POR FAVOR, NO FUTURO, VOC\u00ca PODERIA CONSIDERAR DESENHAR ALGUNS PERSONAGENS UM POUCO MAIS BONITOS? POR EXEMPLO, REN YIZI, PELA SUA EXPRESS\u00c3O E TOM, ELA DEVERIA SER UMA GAROTINHA, MAS SEMPRE SINTO QUE ELA \u00c9 DESENHADA UM POUCO...", "text": "Q: HELLO, LEAD ARTIST! CAN YOU CONSIDER MAKING SOME CHARACTERS MORE BEAUTIFUL IN THE FUTURE? FOR EXAMPLE, REN YIZI, JUDGING BY HER EXPRESSION AND TONE, SHOULD BE A YOUNG GIRL, BUT I FEEL SHE\u0027S DRAWN A BIT...", "tr": "S: Merhaba Ba\u015f \u00c7izer! Gelecekte baz\u0131 karakterleri biraz daha g\u00fczel \u00e7izmeyi d\u00fc\u015f\u00fcnebilir misiniz? \u00d6rne\u011fin Ren Yizi, tav\u0131rlar\u0131na ve konu\u015fma tarz\u0131na bak\u0131l\u0131rsa k\u00fc\u00e7\u00fck bir k\u0131z gibi olmal\u0131 ama \u00e7izimi biraz..."}, {"bbox": ["3", "1365", "870", "1499"], "fr": "Q : Bonjour l\u0027artiste principal ! Pourriez-vous envisager de dessiner certains personnages un peu plus joliment \u00e0 l\u0027avenir ? Par exemple, Ren Yizi, d\u0027apr\u00e8s son attitude et son ton, elle devrait \u00eatre une jeune fille, mais j\u0027ai toujours l\u0027impression qu\u0027elle est dessin\u00e9e un peu...", "id": "T: Halo penulis utama! Bolehkah bertanya apakah di masa depan Anda bisa mempertimbangkan untuk menggambar beberapa karakter agar terlihat lebih cantik? Misalnya Ren Yizi, dari penampilan dan nada bicaranya dia seharusnya seorang gadis muda, tapi saya selalu merasa dia digambar agak...", "pt": "P: OL\u00c1, DESENHISTA PRINCIPAL! POR FAVOR, NO FUTURO, VOC\u00ca PODERIA CONSIDERAR DESENHAR ALGUNS PERSONAGENS UM POUCO MAIS BONITOS? POR EXEMPLO, REN YIZI, PELA SUA EXPRESS\u00c3O E TOM, ELA DEVERIA SER UMA GAROTINHA, MAS SEMPRE SINTO QUE ELA \u00c9 DESENHADA UM POUCO...", "text": "Q: HELLO, LEAD ARTIST! CAN YOU CONSIDER MAKING SOME CHARACTERS MORE BEAUTIFUL IN THE FUTURE? FOR EXAMPLE, REN YIZI, JUDGING BY HER EXPRESSION AND TONE, SHOULD BE A YOUNG GIRL, BUT I FEEL SHE\u0027S DRAWN A BIT...", "tr": "S: Merhaba Ba\u015f \u00c7izer! Gelecekte baz\u0131 karakterleri biraz daha g\u00fczel \u00e7izmeyi d\u00fc\u015f\u00fcnebilir misiniz? \u00d6rne\u011fin Ren Yizi, tav\u0131rlar\u0131na ve konu\u015fma tarz\u0131na bak\u0131l\u0131rsa k\u00fc\u00e7\u00fck bir k\u0131z gibi olmal\u0131 ama \u00e7izimi biraz..."}, {"bbox": ["33", "479", "871", "1091"], "fr": "Q : Un ami demande, quand l\u0027artiste Liang Mian a-t-il commenc\u00e9 \u00e0 dessiner des mangas ? R : J\u0027ai dessin\u00e9 quelques petits mangas il y a longtemps, mais je n\u0027ai jamais officiellement travaill\u00e9 sur un manga long format comme \u00ab Cang Feng Xing \u00bb. J\u0027ai d\u0027abord travaill\u00e9 dans l\u0027animation, dessinant des storyboards pendant un certain temps. Q : Sera-t-il possible d\u0027avoir deux mises \u00e0 jour par semaine \u00e0 l\u0027avenir ? Une seule mise \u00e0 jour par semaine n\u0027est pas assez satisfaisante. R : Je sais que tout le monde veut vraiment voir la suite de l\u0027histoire et pense que des graphismes plus simples seraient acceptables, mais je pense que notre histoire de manga ne devrait pas trop sacrifier la forme d\u0027expression. C\u0027est comme un film, si vous avez un bon sc\u00e9nario mais que vous le tournez avec des effets sp\u00e9ciaux \u00e0 bas co\u00fbt et des d\u00e9cors tr\u00e8s faux, cela affectera grandement votre exp\u00e9rience de visionnage. Nous esp\u00e9rons plut\u00f4t que le manga pourra pr\u00e9senter davantage de saveur picturale. Nous nous pr\u00e9parons progressivement \u00e0 faire deux mises \u00e0 jour par semaine, et nous esp\u00e9rons \u00e9galement que tout le monde pourra nous apporter plus de soutien, afin que nous puissions investir davantage de main-d\u0027\u0153uvre dans cette \u0153uvre.", "id": "T: Ada teman yang bertanya, kapan Guru Liang Mian mulai menggambar komik?\nJ: Saya pernah menggambar beberapa komik kecil sejak lama, tetapi belum pernah secara resmi membuat komik panjang seperti \"Zang Feng Xing\". Saya dulu bekerja di animasi, menggambar storyboard animasi untuk beberapa waktu.\nT: Apakah ada kemungkinan update dua kali seminggu di masa depan? Sekarang hanya satu update seminggu, kurang memuaskan.\nJ: Saya tahu semua orang sangat ingin melihat kelanjutan cerita, dan berpikir tidak apa-apa jika gambarnya sedikit sederhana. Tapi menurut saya, cerita komik kami tidak boleh terlalu mengorbankan bentuk penyajian. Sama seperti film, jika ada naskah yang bagus, tetapi Anda membuatnya dengan efek murahan dan adegan palsu, itu akan sangat memengaruhi pengalaman menonton Anda. Kami lebih berharap komik ini dapat menampilkan lebih banyak cita rasa lukisan. Kami sekarang sedang secara bertahap mempersiapkan update dua kali seminggu. Kami juga berharap semua orang dapat memberi kami lebih banyak dukungan, sehingga kami dapat menginvestasikan lebih banyak sumber daya manusia untuk karya ini.", "pt": "P: ALGUNS AMIGOS PERGUNTARAM QUANDO O PROFESSOR LIANG MIAN COME\u00c7OU A DESENHAR MANG\u00c1S.\nR: EU DESENHEI ALGUNS MANG\u00c1S PEQUENOS H\u00c1 MUITO TEMPO, MAS NUNCA FIZ OFICIALMENTE UM MANG\u00c1 LONGO COMO \u0027CANG FENG XING\u0027. NO IN\u00cdCIO, EU TRABALHAVA COM ANIMA\u00c7\u00c3O E DESENHEI STORYBOARDS DE ANIMA\u00c7\u00c3O POR UM TEMPO. P: HAVER\u00c1 A POSSIBILIDADE DE DUAS ATUALIZA\u00c7\u00d5ES POR SEMANA NO FUTURO? VER APENAS UMA ATUALIZA\u00c7\u00c3O POR SEMANA N\u00c3O \u00c9 SATISFAT\u00d3RIO O SUFICIENTE.\nR: EU SEI QUE TODOS EST\u00c3O ANSIOSOS PARA VER O DESENROLAR DA HIST\u00d3RIA E ACHAM QUE UMA ARTE MAIS SIMPLES SERIA ACEIT\u00c1VEL, MAS ACREDITO QUE NOSSA HIST\u00d3RIA EM MANG\u00c1 N\u00c3O DEVERIA SACRIFICAR DEMAIS A FORMA DE EXPRESS\u00c3O. \u00c9 COMO UM FILME: SE VOC\u00ca TEM UM BOM ROTEIRO, MAS O FILMA COM EFEITOS ESPECIAIS BARATOS E CEN\u00c1RIOS FALSOS, ISSO AFETAR\u00c1 MUITO SUA EXPERI\u00caNCIA DE VISUALIZA\u00c7\u00c3O. ESPERAMOS APRESENTAR MAIS DO \u0027SABOR\u0027 DA PINTURA NO MANG\u00c1. ESTAMOS GRADUALMENTE NOS PREPARANDO PARA DUAS ATUALIZA\u00c7\u00d5ES, E TAMB\u00c9M ESPERAMOS QUE TODOS POSSAM NOS DAR MAIS APOIO, PARA QUE POSSAMOS INVESTIR MAIS M\u00c3O DE OBRA NESTA OBRA.", "text": "...", "tr": "S: Baz\u0131 arkada\u015flar soruyor, Liangmian Hoca ne zaman manga \u00e7izmeye ba\u015flad\u0131?\nC: \u00c7ok uzun zaman \u00f6nce baz\u0131 k\u00fc\u00e7\u00fck mangalar \u00e7izdim, ancak \u0027Gizli K\u0131l\u0131\u00e7 Efsanesi\u0027 gibi uzun soluklu bir manga \u00fczerinde resmi olarak \u00e7al\u0131\u015fmam\u0131\u015ft\u0131m. \u0130lk zamanlar\u0131mda animasyon yap\u0131yordum, bir s\u00fcre animasyon storyboard\u0027lar\u0131 \u00e7izdim.\nS: Gelecekte haftada iki b\u00f6l\u00fcm yay\u0131nlama ihtimali var m\u0131? \u015eu an haftada bir b\u00f6l\u00fcm izlemek pek tatmin edici de\u011fil.\nC: Herkesin hikayenin devam\u0131n\u0131 merak etti\u011fini biliyorum, \u00e7izimler biraz basit olsa da olur diye d\u00fc\u015f\u00fcnebilirsiniz, ama bence manga hikayemiz ifade bi\u00e7iminden \u00e7ok fazla \u00f6d\u00fcn vermemeli. T\u0131pk\u0131 bir film gibi, iyi bir senaryonuz varsa ama onu ucuz efektlerle, \u00e7ok sahte sahnelerle \u00e7ekerseniz, izleme deneyiminizi \u00e7ok etkiler. Biz daha \u00e7ok mangada daha fazla \u00e7izim tad\u0131 sunabilmeyi umuyoruz. \u015eu anda yava\u015f yava\u015f haftada iki b\u00f6l\u00fcm yay\u0131nlama haz\u0131rl\u0131klar\u0131na ba\u015flad\u0131k ve herkesin bize daha fazla destek vermesini umuyoruz, b\u00f6ylece bu esere daha fazla insan g\u00fcc\u00fc ay\u0131rabiliriz."}], "width": 900}, {"height": 1500, "img_url": "snowmtl.ru/latest/the-demon-blades/72/3.webp", "translations": [{"bbox": ["55", "1050", "868", "1498"], "fr": "Q : Y a-t-il un design de personnage pour Jin\u0027er ? R : Oui, c\u0027est d\u00e9j\u00e0 pr\u00eat, elle va bient\u00f4t appara\u00eetre, attendez encore un peu, ne vous inqui\u00e9tez pas. Q : J\u0027ai entendu dire que lors d\u0027un vote pour le personnage pr\u00e9f\u00e9r\u00e9 dans le groupe de fans, le gagnant n\u0027\u00e9tait pas le protagoniste, ni m\u00eame un humain, mais le deuxi\u00e8me fr\u00e8re du protagoniste Pei Lie, le destrier divin Ce Ying. L\u0027artiste principal a-t-il r\u00e9fl\u00e9chi \u00e0 la raison pour laquelle les lecteurs aiment autant ce \u00ab deuxi\u00e8me fr\u00e8re \u00bb ? Que pensez-vous de ce personnage ? R : Je pense que les bonnes \u0153uvres sont comme \u00e7a : les \u0153uvres s\u00e9rieuses ont besoin de personnages l\u00e9gers pour d\u00e9tendre l\u0027atmosph\u00e8re, et les \u0153uvres comiques doivent contenir une certaine signification r\u00e9aliste ou de la profondeur. Notre \u00ab Cang Feng Xing \u00bb se situe...", "id": "T: Apakah ada desain karakter untuk Jin\u0027er?\nJ: Sudah digambar dengan baik, dia akan segera muncul. Semuanya harap tunggu dan jangan khawatir.\nT: Saya dengar dalam pemilihan karakter favorit di grup penggemar, pemenangnya bukan protagonis, bahkan bukan manusia, melainkan kuda dewa Ce Ying, kakak kedua protagonis Pei Lie. Pernahkah penulis utama berpikir mengapa pembaca sangat menyukai Kakak Kedua? Bagaimana pendapat Anda tentang karakter ini?\nJ: Menurut saya, karya yang bagus itu seperti ini: dalam karya yang serius, perlu ada karakter yang santai untuk penyeimbang; dalam karya yang lucu, harus ada makna realistis atau kedalaman. \"Zang Feng Xing\" kami berada dalam...", "pt": "P: EXISTE UM DESIGN DE PERSONAGEM PARA JIN\u0027ER?\nR: ELA APARECER\u00c1 EM BREVE, PESSOAL, ESPEREM UM POUCO MAIS, N\u00c3O SE APRESSEM. P: OUVI DIZER QUE NA VOTA\u00c7\u00c3O DO PERSONAGEM FAVORITO NO GRUPO DE F\u00c3S, O VENCEDOR N\u00c3O FOI O PROTAGONISTA, NEM MESMO UM HUMANO, MAS O \u0027SEGUNDO IRM\u00c3O\u0027 DO PROTAGONISTA PEI LIE, O CAVALO DIVINO CE YING. O DESENHISTA PRINCIPAL J\u00c1 PENSOU POR QUE OS LEITORES GOSTAM TANTO DO SEGUNDO IRM\u00c3O? COMO VOC\u00ca V\u00ca ESSE PERSONAGEM?\nR: ACHO QUE BOAS OBRAS S\u00c3O ASSIM: OBRAS S\u00c9RIAS PRECISAM DE PERSONAGENS PARA ALIVIAR A TENS\u00c3O, E OBRAS C\u00d4MICAS PRECISAM CONTER ALGUM SIGNIFICADO REALISTA OU PROFUNDIDADE. NOSSO \u0027CANG FENG XING\u0027 EST\u00c1 EM...", "text": "Q: IS THERE A CHARACTER DESIGN FOR JIN\u0027ER? A: THE MODEL IS REALLY GOOD, SHE IS GOING TO APPEAR, EVERYONE PLEASE WAIT AND SEE, DON\u0027T WORRY. Q: I HEARD THAT IN THE FAN GROUP POLL FOR FAVORITE CHARACTER, THE WINNER WASN\u0027T THE PROTAGONIST, NOT EVEN HUMAN, BUT THE PROTAGONIST PEI LIE\u0027S SECOND BROTHER - THE DIVINE STEED CE YING. HAVE YOU THOUGHT ABOUT WHY READERS LIKE THE SECOND BROTHER SO MUCH? HOW DO YOU VIEW THIS CHARACTER? A: I THINK GOOD WORKS ARE LIKE THIS, SERIOUS WORKS NEED TO HAVE CHARACTERS THAT LIGHTEN THE MOOD, AND FUNNY WORKS SHOULD CONTAIN SOME REAL-WORLD MEANING OR DEPTH. OUR *HIDDEN EDGE*", "tr": "S: Jin\u0027er i\u00e7in bir karakter tasar\u0131m\u0131 var m\u0131?\nC: Evet, yak\u0131nda ortaya \u00e7\u0131kacak. Herkes biraz daha beklesin, acele etmeyin.\nS: Hayran grubunda en sevilen karakter oylamas\u0131nda kazanan\u0131n ana karakter olmad\u0131\u011f\u0131n\u0131, hatta insan bile olmad\u0131\u011f\u0131n\u0131, ana karakter Pei Lie\u0027nin ikinci abisi olan ilahi at Ce Ying oldu\u011funu duydum. Ba\u015f \u00e7izer, okuyucular\u0131n \u0130kinci Abi\u0027yi neden bu kadar \u00e7ok sevdi\u011fini d\u00fc\u015f\u00fcnd\u00fc m\u00fc? Bu karakter hakk\u0131nda ne d\u00fc\u015f\u00fcn\u00fcyorsunuz?\nC: Bence iyi bir eser b\u00f6yledir; ciddi eserlerde rahatlat\u0131c\u0131, ne\u015feli karakterlere ihtiya\u00e7 vard\u0131r, komik eserlerde ise baz\u0131 ger\u00e7ek\u00e7i anlamlar veya derinlikler bulunmal\u0131d\u0131r. Bizim \u0027Gizli K\u0131l\u0131\u00e7 Efsanesi\u0027miz..."}, {"bbox": ["14", "333", "881", "1008"], "fr": "Q : Quelles sont les difficult\u00e9s rencontr\u00e9es lors de la cr\u00e9ation de \u00ab Cang Feng Xing \u00bb ? R : Parce que la cr\u00e9ation est un processus qui part de rien, il y aura certainement de nombreuses difficult\u00e9s, de nombreux choix et incertitudes. Pour maintenir la mise \u00e0 jour hebdomadaire actuelle, il est impossible qu\u0027une seule personne dessine et colorie, il faut donc des assistants. Avec l\u0027arriv\u00e9e des assistants, il y a des \u00e9changes et une unification des opinions. Un point assez d\u00e9licat est de faire comprendre \u00e0 tout le monde ce que nous voulons exprimer dans une certaine partie de l\u0027intrigue. Par exemple, si notre intrigue se d\u00e9roule de jour ou de nuit, ou si l\u0027humeur du protagoniste est plut\u00f4t d\u00e9prim\u00e9e ou joyeuse, si l\u0027assistant coloriste ne le sait pas, il y aura des probl\u00e8mes de tons. Ce sont des difficult\u00e9s que l\u0027on rencontre dans toute \u0153uvre impliquant plusieurs personnes. Pour moi personnellement, je peux me retrouver bloqu\u00e9 sur un point cl\u00e9 de l\u0027intrigue, ou sur le rythme. Nous esp\u00e9rons pr\u00e9senter un rythme assez complet, mais de nos jours, les gens ont l\u0027habitude de lire les mangas rapidement, ils veulent un rythme plus soutenu. Pour g\u00e9rer ce rythme, nous pouvons \u00eatre amen\u00e9s \u00e0 supprimer des storyboards d\u00e9j\u00e0 dessin\u00e9s. Ce genre de suppression, vous ne le voyez pas, mais au moment o\u00f9 on le supprime, c\u0027est une lutte psychologique pour le cr\u00e9ateur.", "id": "T: Kesulitan apa yang dihadapi saat membuat \"Zang Feng Xing\"?\nJ: Karena berkreasi adalah proses dari ketiadaan menjadi ada, pasti akan menghadapi banyak kesulitan, banyak pilihan, dan ketidakpastian. Untuk mempertahankan update mingguan saat ini, mustahil jika hanya satu orang yang menggambar dan mewarnai, jadi harus ada asisten. Dengan adanya asisten, ada pertukaran dan penyatuan pendapat. Poin yang lebih merepotkan adalah membuat semua orang mengerti apa yang ingin kami sampaikan dalam adegan tertentu. Misalnya, jika cerita kami sudah siang atau malam, atau emosi protagonis sedang sedih atau senang, jika asisten pewarna tidak tahu ini, akan ada masalah dengan palet warna. Ini adalah kesulitan yang akan dihadapi oleh setiap karya yang melibatkan banyak orang. Bagi saya sendiri, saya mungkin terjebak pada titik plot tertentu, atau dalam hal ritme. Kami berharap dapat menyajikan ritme yang lebih lengkap, tetapi sekarang semua orang terbiasa dengan ritme membaca komik yang lebih cepat. Untuk mengelola ritme seperti ini, kami mungkin menghapus beberapa storyboard yang sudah digambar. Penghapusan seperti ini tidak akan terlihat oleh semua orang, tetapi saat menghapusnya, secara psikologis itu adalah pergulatan bagi kreator.", "pt": "P: QUAIS DIFICULDADES VOC\u00ca ENCONTROU AO CRIAR \u0027CANG FENG XING\u0027?\nR: COMO A CRIA\u00c7\u00c3O \u00c9 UM PROCESSO DO NADA PARA O ALGO, CERTAMENTE ENCONTRAREMOS MUITAS DIFICULDADES, MUITAS ESCOLHAS E INCERTEZAS. PARA MANTER AS ATUALIZA\u00c7\u00d5ES SEMANAIS, \u00c9 IMPOSS\u00cdVEL PARA UMA \u00daNICA PESSOA DESENHAR E COLORIR, ENT\u00c3O ASSISTENTES S\u00c3O NECESS\u00c1RIOS. COM A ADI\u00c7\u00c3O DE ASSISTENTES, H\u00c1 TROCA E UNIFICA\u00c7\u00c3O DE OPINI\u00d5ES. UM PONTO MAIS PROBLEM\u00c1TICO \u00c9 FAZER COM QUE TODOS ENTENDAM O QUE QUEREMOS EXPRESSAR EM UMA DETERMINADA CENA DA HIST\u00d3RIA. POR EXEMPLO, SE NOSSA HIST\u00d3RIA SE PASSA DE DIA OU DE NOITE, OU SE O HUMOR DO PROTAGONISTA EST\u00c1 BAIXO OU FELIZ, SE O ASSISTENTE DE COLORA\u00c7\u00c3O N\u00c3O SOUBER DISSO, HAVER\u00c1 PROBLEMAS COM O TOM DA COR. ESSAS S\u00c3O DIFICULDADES QUE QUALQUER OBRA COM M\u00daLTIPLOS PARTICIPANTES ENFRENTAR\u00c1. PARA MIM, PESSOALMENTE, POSSO FICAR PRESO EM UM PONTO CRUCIAL DA TRAMA OU NO RITMO. ESPERAMOS APRESENTAR UM RITMO MAIS COMPLETO, MAS AGORA TODOS EST\u00c3O ACOSTUMADOS A UM RITMO DE LEITURA DE MANG\u00c1 MAIS R\u00c1PIDO. PARA CONTROLAR ESSE RITMO, PODEMOS TER QUE DELETAR ALGUNS STORYBOARDS J\u00c1 DESENHADOS. ESSE TIPO DE CORTE, TODOS N\u00c3O CONSEGUEM VER, MAS NO MOMENTO EM QUE \u00c9 DELETADO, \u00c9 UMA LUTA PSICOL\u00d3GICA PARA O CRIADOR.", "text": "...", "tr": "S: \u0027Gizli K\u0131l\u0131\u00e7 Efsanesi\u0027ni yarat\u0131rken kar\u015f\u0131la\u015f\u0131lan zorluklar nelerdir?\nC: \u00c7\u00fcnk\u00fc yarat\u0131m, yoktan var etme s\u00fcrecidir, kesinlikle bir\u00e7ok zorlukla, say\u0131s\u0131z se\u00e7imle ve belirsizlikle kar\u015f\u0131la\u015f\u0131l\u0131r. Mevcut haftal\u0131k g\u00fcncellemeyi s\u00fcrd\u00fcrmek i\u00e7in tek bir ki\u015finin \u00e7izmesi ve renklendirmesi imkans\u0131zd\u0131r, bu y\u00fczden asistanlara ihtiya\u00e7 duyulur. Asistanlar\u0131n kat\u0131l\u0131m\u0131yla fikir al\u0131\u015fveri\u015fi ve birli\u011fi sa\u011flan\u0131r. Daha zahmetli olan bir nokta, herkesin bu b\u00f6l\u00fcmdeki hikayede ne anlatmak istedi\u011fimizi anlamas\u0131n\u0131 sa\u011flamakt\u0131r. \u00d6rne\u011fin, hikayemiz g\u00fcnd\u00fcze veya geceye ula\u015ft\u0131ysa ya da ana karakterin ruh hali d\u00fc\u015f\u00fck veya ne\u015feliyse, renklendirme asistan\u0131 bunlar\u0131 bilmezse renk tonlar\u0131nda sorunlar ortaya \u00e7\u0131kabilir. Bunlar, birden fazla ki\u015finin kat\u0131ld\u0131\u011f\u0131 herhangi bir eserde kar\u015f\u0131la\u015f\u0131labilecek zorluklard\u0131r. Bana gelince, bazen bir hikaye noktas\u0131nda veya ritim konusunda tak\u0131l\u0131p kalabilirim. Biz daha b\u00fct\u00fcnl\u00fckl\u00fc bir ritim sunmay\u0131 umuyoruz, ancak g\u00fcn\u00fcm\u00fczde insanlar mangay\u0131 daha h\u0131zl\u0131 bir tempoda okumaya al\u0131\u015fk\u0131nlar. Bu t\u00fcr bir ritim ayarlamas\u0131 i\u00e7in, bazen \u00f6nceden \u00e7izilmi\u015f baz\u0131 storyboard\u0027lar\u0131 silmek zorunda kalabiliriz. Bu t\u00fcr kesintileri siz g\u00f6remezsiniz, ancak silindi\u011fi o an, yarat\u0131c\u0131n\u0131n psikolojisi i\u00e7in bir m\u00fccadeledir."}, {"bbox": ["35", "15", "874", "263"], "fr": "R : C\u0027\u00e9tait peut-\u00eatre une n\u00e9gligence malgr\u00e9 toutes nos pr\u00e9cautions. Le design du personnage \u00e9tait bien fait, mais il n\u0027a pas \u00e9t\u00e9 bien rendu au dessin. Parce que nous avons aussi un assistant sp\u00e9cialis\u00e9 dans le stylisme, notre communication n\u0027a peut-\u00eatre pas \u00e9t\u00e9 optimale, et elle a \u00e9t\u00e9 dessin\u00e9e un peu potel\u00e9e. Je retiendrai cela comme une le\u00e7on et j\u0027esp\u00e8re pouvoir vous pr\u00e9senter des images de personnages plus parfaites \u00e0 l\u0027avenir. J\u0027ai vu vos commentaires, ils sont tous tr\u00e8s bons, et nous continuerons \u00e0 travailler dur. Merci \u00e0 tous.", "id": "J: Sebelumnya mungkin ada kelalaian di antara banyak kehati-hatian, desain karakter sebenarnya dibuat dengan baik, tetapi saat digambar tidak tersaji dengan baik. Karena kami juga memiliki asisten styling khusus, komunikasi kami mungkin kurang baik, sehingga digambar sedikit lebih gemuk. Saya akan mengambil ini sebagai pelajaran, dan berharap dapat menyajikan citra karakter yang lebih sempurna kepada semua orang di kemudian hari. Saya telah melihat pendapat semua orang, pendapat-pendapat ini sangat bagus, kami akan terus bekerja keras, terima kasih semuanya.", "pt": "R: ANTERIORMENTE, PODE TER HAVIDO UM DESCUIDO; O DESIGN DO PERSONAGEM ESTAVA BEM FEITO, MAS N\u00c3O FOI BEM APRESENTADO NO DESENHO. COMO TAMB\u00c9M TEMOS UM ASSISTENTE DE DESIGN ESPEC\u00cdFICO, NOSSA COMUNICA\u00c7\u00c3O PODE N\u00c3O TER SIDO BOA, E ELA FOI DESENHADA UM POUCO MAIS CHEINHA. TOMAREI ISSO COMO UM AVISO E ESPERO APRESENTAR UMA IMAGEM DE PERSONAGEM MAIS PERFEITA PARA TODOS NO FUTURO. EU VI AS OPINI\u00d5ES DE TODOS, S\u00c3O TODAS MUITO BOAS, E CONTINUAREMOS A TRABALHAR DURO. OBRIGADO A TODOS.", "text": "A: PREVIOUSLY, IT MIGHT HAVE BEEN A SLIP-UP. THE CHARACTER DESIGN WAS DONE QUITE WELL, BUT IT WASN\u0027T EXECUTED WELL IN THE DRAWING. BECAUSE WE HAVE A DEDICATED STYLING ASSISTANT, OUR COMMUNICATION MIGHT NOT HAVE BEEN GOOD, AND SHE WAS DRAWN A BIT PLUMPER. I WILL ALSO TAKE THIS AS A LESSON AND HOPE TO PRESENT EVEN MORE PERFECT CHARACTER IMAGES TO EVERYONE IN THE FUTURE. I\u0027VE SEEN EVERYONE\u0027S FEEDBACK, AND IT\u0027S ALL VERY GOOD. WE WILL CONTINUE TO WORK HARD, THANK YOU ALL.", "tr": "C: Daha \u00f6nce bir g\u00f6zden ka\u00e7\u0131rma olmu\u015f olabilir, karakter tasar\u0131m \u00e7izimleri olduk\u00e7a iyi yap\u0131lm\u0131\u015ft\u0131 ama \u00e7izerken iyi yans\u0131t\u0131lamad\u0131. \u00c7\u00fcnk\u00fc \u00f6zel bir modelleme asistan\u0131m\u0131z da var, aram\u0131zdaki ileti\u015fimde bir kopukluk olmu\u015f olabilir, biraz kilolu \u00e7izilmi\u015f. Bunu bir ders olarak alaca\u011f\u0131m ve gelecekte herkese daha m\u00fckemmel karakter imajlar\u0131 sunmay\u0131 umuyorum. Herkesin g\u00f6r\u00fc\u015flerini g\u00f6rd\u00fcm, bu g\u00f6r\u00fc\u015fler \u00e7ok iyi ve biz de s\u0131k\u0131 \u00e7al\u0131\u015fmaya devam edece\u011fiz, herkese te\u015fekk\u00fcrler."}, {"bbox": ["14", "333", "881", "1008"], "fr": "Q : Quelles sont les difficult\u00e9s rencontr\u00e9es lors de la cr\u00e9ation de \u00ab Cang Feng Xing \u00bb ? R : Parce que la cr\u00e9ation est un processus qui part de rien, il y aura certainement de nombreuses difficult\u00e9s, de nombreux choix et incertitudes. Pour maintenir la mise \u00e0 jour hebdomadaire actuelle, il est impossible qu\u0027une seule personne dessine et colorie, il faut donc des assistants. Avec l\u0027arriv\u00e9e des assistants, il y a des \u00e9changes et une unification des opinions. Un point assez d\u00e9licat est de faire comprendre \u00e0 tout le monde ce que nous voulons exprimer dans une certaine partie de l\u0027intrigue. Par exemple, si notre intrigue se d\u00e9roule de jour ou de nuit, ou si l\u0027humeur du protagoniste est plut\u00f4t d\u00e9prim\u00e9e ou joyeuse, si l\u0027assistant coloriste ne le sait pas, il y aura des probl\u00e8mes de tons. Ce sont des difficult\u00e9s que l\u0027on rencontre dans toute \u0153uvre impliquant plusieurs personnes. Pour moi personnellement, je peux me retrouver bloqu\u00e9 sur un point cl\u00e9 de l\u0027intrigue, ou sur le rythme. Nous esp\u00e9rons pr\u00e9senter un rythme assez complet, mais de nos jours, les gens ont l\u0027habitude de lire les mangas rapidement, ils veulent un rythme plus soutenu. Pour g\u00e9rer ce rythme, nous pouvons \u00eatre amen\u00e9s \u00e0 supprimer des storyboards d\u00e9j\u00e0 dessin\u00e9s. Ce genre de suppression, vous ne le voyez pas, mais au moment o\u00f9 on le supprime, c\u0027est une lutte psychologique pour le cr\u00e9ateur.", "id": "T: Kesulitan apa yang dihadapi saat membuat \"Zang Feng Xing\"?\nJ: Karena berkreasi adalah proses dari ketiadaan menjadi ada, pasti akan menghadapi banyak kesulitan, banyak pilihan, dan ketidakpastian. Untuk mempertahankan update mingguan saat ini, mustahil jika hanya satu orang yang menggambar dan mewarnai, jadi harus ada asisten. Dengan adanya asisten, ada pertukaran dan penyatuan pendapat. Poin yang lebih merepotkan adalah membuat semua orang mengerti apa yang ingin kami sampaikan dalam adegan tertentu. Misalnya, jika cerita kami sudah siang atau malam, atau emosi protagonis sedang sedih atau senang, jika asisten pewarna tidak tahu ini, akan ada masalah dengan palet warna. Ini adalah kesulitan yang akan dihadapi oleh setiap karya yang melibatkan banyak orang. Bagi saya sendiri, saya mungkin terjebak pada titik plot tertentu, atau dalam hal ritme. Kami berharap dapat menyajikan ritme yang lebih lengkap, tetapi sekarang semua orang terbiasa dengan ritme membaca komik yang lebih cepat. Untuk mengelola ritme seperti ini, kami mungkin menghapus beberapa storyboard yang sudah digambar. Penghapusan seperti ini tidak akan terlihat oleh semua orang, tetapi saat menghapusnya, secara psikologis itu adalah pergulatan bagi kreator.", "pt": "P: QUAIS DIFICULDADES VOC\u00ca ENCONTROU AO CRIAR \u0027CANG FENG XING\u0027?\nR: COMO A CRIA\u00c7\u00c3O \u00c9 UM PROCESSO DO NADA PARA O ALGO, CERTAMENTE ENCONTRAREMOS MUITAS DIFICULDADES, MUITAS ESCOLHAS E INCERTEZAS. PARA MANTER AS ATUALIZA\u00c7\u00d5ES SEMANAIS, \u00c9 IMPOSS\u00cdVEL PARA UMA \u00daNICA PESSOA DESENHAR E COLORIR, ENT\u00c3O ASSISTENTES S\u00c3O NECESS\u00c1RIOS. COM A ADI\u00c7\u00c3O DE ASSISTENTES, H\u00c1 TROCA E UNIFICA\u00c7\u00c3O DE OPINI\u00d5ES. UM PONTO MAIS PROBLEM\u00c1TICO \u00c9 FAZER COM QUE TODOS ENTENDAM O QUE QUEREMOS EXPRESSAR EM UMA DETERMINADA CENA DA HIST\u00d3RIA. POR EXEMPLO, SE NOSSA HIST\u00d3RIA SE PASSA DE DIA OU DE NOITE, OU SE O HUMOR DO PROTAGONISTA EST\u00c1 BAIXO OU FELIZ, SE O ASSISTENTE DE COLORA\u00c7\u00c3O N\u00c3O SOUBER DISSO, HAVER\u00c1 PROBLEMAS COM O TOM DA COR. ESSAS S\u00c3O DIFICULDADES QUE QUALQUER OBRA COM M\u00daLTIPLOS PARTICIPANTES ENFRENTAR\u00c1. PARA MIM, PESSOALMENTE, POSSO FICAR PRESO EM UM PONTO CRUCIAL DA TRAMA OU NO RITMO. ESPERAMOS APRESENTAR UM RITMO MAIS COMPLETO, MAS AGORA TODOS EST\u00c3O ACOSTUMADOS A UM RITMO DE LEITURA DE MANG\u00c1 MAIS R\u00c1PIDO. PARA CONTROLAR ESSE RITMO, PODEMOS TER QUE DELETAR ALGUNS STORYBOARDS J\u00c1 DESENHADOS. ESSE TIPO DE CORTE, TODOS N\u00c3O CONSEGUEM VER, MAS NO MOMENTO EM QUE \u00c9 DELETADO, \u00c9 UMA LUTA PSICOL\u00d3GICA PARA O CRIADOR.", "text": "...", "tr": "S: \u0027Gizli K\u0131l\u0131\u00e7 Efsanesi\u0027ni yarat\u0131rken kar\u015f\u0131la\u015f\u0131lan zorluklar nelerdir?\nC: \u00c7\u00fcnk\u00fc yarat\u0131m, yoktan var etme s\u00fcrecidir, kesinlikle bir\u00e7ok zorlukla, say\u0131s\u0131z se\u00e7imle ve belirsizlikle kar\u015f\u0131la\u015f\u0131l\u0131r. Mevcut haftal\u0131k g\u00fcncellemeyi s\u00fcrd\u00fcrmek i\u00e7in tek bir ki\u015finin \u00e7izmesi ve renklendirmesi imkans\u0131zd\u0131r, bu y\u00fczden asistanlara ihtiya\u00e7 duyulur. Asistanlar\u0131n kat\u0131l\u0131m\u0131yla fikir al\u0131\u015fveri\u015fi ve birli\u011fi sa\u011flan\u0131r. Daha zahmetli olan bir nokta, herkesin bu b\u00f6l\u00fcmdeki hikayede ne anlatmak istedi\u011fimizi anlamas\u0131n\u0131 sa\u011flamakt\u0131r. \u00d6rne\u011fin, hikayemiz g\u00fcnd\u00fcze veya geceye ula\u015ft\u0131ysa ya da ana karakterin ruh hali d\u00fc\u015f\u00fck veya ne\u015feliyse, renklendirme asistan\u0131 bunlar\u0131 bilmezse renk tonlar\u0131nda sorunlar ortaya \u00e7\u0131kabilir. Bunlar, birden fazla ki\u015finin kat\u0131ld\u0131\u011f\u0131 herhangi bir eserde kar\u015f\u0131la\u015f\u0131labilecek zorluklard\u0131r. Bana gelince, bazen bir hikaye noktas\u0131nda veya ritim konusunda tak\u0131l\u0131p kalabilirim. Biz daha b\u00fct\u00fcnl\u00fckl\u00fc bir ritim sunmay\u0131 umuyoruz, ancak g\u00fcn\u00fcm\u00fczde insanlar mangay\u0131 daha h\u0131zl\u0131 bir tempoda okumaya al\u0131\u015fk\u0131nlar. Bu t\u00fcr bir ritim ayarlamas\u0131 i\u00e7in, bazen \u00f6nceden \u00e7izilmi\u015f baz\u0131 storyboard\u0027lar\u0131 silmek zorunda kalabiliriz. Bu t\u00fcr kesintileri siz g\u00f6remezsiniz, ancak silindi\u011fi o an, yarat\u0131c\u0131n\u0131n psikolojisi i\u00e7in bir m\u00fccadeledir."}, {"bbox": ["29", "1050", "869", "1499"], "fr": "Q : Y a-t-il un design de personnage pour Jin\u0027er ? R : Oui, c\u0027est d\u00e9j\u00e0 pr\u00eat, elle va bient\u00f4t appara\u00eetre, attendez encore un peu, ne vous inqui\u00e9tez pas. Q : J\u0027ai entendu dire que lors d\u0027un vote pour le personnage pr\u00e9f\u00e9r\u00e9 dans le groupe de fans, le gagnant n\u0027\u00e9tait pas le protagoniste, ni m\u00eame un humain, mais le deuxi\u00e8me fr\u00e8re du protagoniste Pei Lie, le destrier divin Ce Ying. L\u0027artiste principal a-t-il r\u00e9fl\u00e9chi \u00e0 la raison pour laquelle les lecteurs aiment autant ce \u00ab deuxi\u00e8me fr\u00e8re \u00bb ? Que pensez-vous de ce personnage ? R : Je pense que les bonnes \u0153uvres sont comme \u00e7a : les \u0153uvres s\u00e9rieuses ont besoin de personnages l\u00e9gers pour d\u00e9tendre l\u0027atmosph\u00e8re, et les \u0153uvres comiques doivent contenir une certaine signification r\u00e9aliste ou de la profondeur. Notre \u00ab Cang Feng Xing \u00bb se situe...", "id": "T: Apakah ada desain karakter untuk Jin\u0027er?\nJ: Sudah digambar dengan baik, dia akan segera muncul. Semuanya harap tunggu dan jangan khawatir.\nT: Saya dengar dalam pemilihan karakter favorit di grup penggemar, pemenangnya bukan protagonis, bahkan bukan manusia, melainkan kuda dewa Ce Ying, kakak kedua protagonis Pei Lie. Pernahkah penulis utama berpikir mengapa pembaca sangat menyukai Kakak Kedua? Bagaimana pendapat Anda tentang karakter ini?\nJ: Menurut saya, karya yang bagus itu seperti ini: dalam karya yang serius, perlu ada karakter yang santai untuk penyeimbang; dalam karya yang lucu, harus ada makna realistis atau kedalaman. \"Zang Feng Xing\" kami berada dalam...", "pt": "P: EXISTE UM DESIGN DE PERSONAGEM PARA JIN\u0027ER?\nR: ELA APARECER\u00c1 EM BREVE, PESSOAL, ESPEREM UM POUCO MAIS, N\u00c3O SE APRESSEM. P: OUVI DIZER QUE NA VOTA\u00c7\u00c3O DO PERSONAGEM FAVORITO NO GRUPO DE F\u00c3S, O VENCEDOR N\u00c3O FOI O PROTAGONISTA, NEM MESMO UM HUMANO, MAS O \u0027SEGUNDO IRM\u00c3O\u0027 DO PROTAGONISTA PEI LIE, O CAVALO DIVINO CE YING. O DESENHISTA PRINCIPAL J\u00c1 PENSOU POR QUE OS LEITORES GOSTAM TANTO DO SEGUNDO IRM\u00c3O? COMO VOC\u00ca V\u00ca ESSE PERSONAGEM?\nR: ACHO QUE BOAS OBRAS S\u00c3O ASSIM: OBRAS S\u00c9RIAS PRECISAM DE PERSONAGENS PARA ALIVIAR A TENS\u00c3O, E OBRAS C\u00d4MICAS PRECISAM CONTER ALGUM SIGNIFICADO REALISTA OU PROFUNDIDADE. NOSSO \u0027CANG FENG XING\u0027 EST\u00c1 EM...", "text": "Q: IS THERE A CHARACTER DESIGN FOR JIN\u0027ER? A: THE MODEL IS REALLY GOOD, SHE IS GOING TO APPEAR, EVERYONE PLEASE WAIT AND SEE, DON\u0027T WORRY. Q: I HEARD THAT IN THE FAN GROUP POLL FOR FAVORITE CHARACTER, THE WINNER WASN\u0027T THE PROTAGONIST, NOT EVEN HUMAN, BUT THE PROTAGONIST PEI LIE\u0027S SECOND BROTHER - THE DIVINE STEED CE YING. HAVE YOU THOUGHT ABOUT WHY READERS LIKE THE SECOND BROTHER SO MUCH? HOW DO YOU VIEW THIS CHARACTER? A: I THINK GOOD WORKS ARE LIKE THIS, SERIOUS WORKS NEED TO HAVE CHARACTERS THAT LIGHTEN THE MOOD, AND FUNNY WORKS SHOULD CONTAIN SOME REAL-WORLD MEANING OR DEPTH. OUR *HIDDEN EDGE*", "tr": "S: Jin\u0027er i\u00e7in bir karakter tasar\u0131m\u0131 var m\u0131?\nC: Evet, yak\u0131nda ortaya \u00e7\u0131kacak. Herkes biraz daha beklesin, acele etmeyin.\nS: Hayran grubunda en sevilen karakter oylamas\u0131nda kazanan\u0131n ana karakter olmad\u0131\u011f\u0131n\u0131, hatta insan bile olmad\u0131\u011f\u0131n\u0131, ana karakter Pei Lie\u0027nin ikinci abisi olan ilahi at Ce Ying oldu\u011funu duydum. Ba\u015f \u00e7izer, okuyucular\u0131n \u0130kinci Abi\u0027yi neden bu kadar \u00e7ok sevdi\u011fini d\u00fc\u015f\u00fcnd\u00fc m\u00fc? Bu karakter hakk\u0131nda ne d\u00fc\u015f\u00fcn\u00fcyorsunuz?\nC: Bence iyi bir eser b\u00f6yledir; ciddi eserlerde rahatlat\u0131c\u0131, ne\u015feli karakterlere ihtiya\u00e7 vard\u0131r, komik eserlerde ise baz\u0131 ger\u00e7ek\u00e7i anlamlar veya derinlikler bulunmal\u0131d\u0131r. Bizim \u0027Gizli K\u0131l\u0131\u00e7 Efsanesi\u0027miz..."}], "width": 900}, {"height": 1500, "img_url": "snowmtl.ru/latest/the-demon-blades/72/4.webp", "translations": [{"bbox": ["524", "241", "608", "370"], "fr": "Ah ! Grand Fr\u00e8re Deux est bless\u00e9 !", "id": "Ah! Kakak Kedua terluka!", "pt": "AH! O SEGUNDO IRM\u00c3O EST\u00c1 FERIDO!", "text": "AH! SECOND BROTHER IS INJURED!", "tr": "Ah! \u0130kinci Abi yaraland\u0131!"}, {"bbox": ["35", "0", "876", "155"], "fr": "...dans une atmosph\u00e8re d\u0027intenses passions et d\u0027aventures palpitantes, j\u0027esp\u00e8re que Grand Fr\u00e8re Deux pourra jouer un bon r\u00f4le de r\u00e9gulateur. De plus, c\u0027est un cheval, ce contraste peut davantage susciter la sympathie et l\u0027affection de tous. Je pense que c\u0027est aussi une forme de reconnaissance de la part de tous pour ma cr\u00e9ation de personnages secondaires.", "id": "...suasana cinta, benci, dendam yang kuat, dan petualangan yang menegangkan, saya berharap Kakak Kedua dapat memainkan peran penyeimbang yang baik. Dia adalah seekor kuda, dan kontras ini lebih mampu membangkitkan simpati dan kesukaan semua orang. Saya rasa ini juga merupakan pengakuan semua orang terhadap cara saya membentuk karakter pendukung.", "pt": "...UMA ATMOSFERA DE INTENSAS EMO\u00c7\u00d5ES DE AMOR E \u00d3DIO E AVENTURAS TENSAS, ESPERO QUE O SEGUNDO IRM\u00c3O POSSA DESEMPENHAR UM BOM PAPEL DE AL\u00cdVIO C\u00d4MICO. SENDO ELE UM CAVALO, ESSE CONTRASTE PODE DESPERTAR AINDA MAIS A SIMPATIA E O APRE\u00c7O DE TODOS. ACHO QUE ISSO TAMB\u00c9M \u00c9 UM RECONHECIMENTO DA FORMA COMO EU MOLDO OS PERSONAGENS COADJUVANTES.", "text": "IN AN ATMOSPHERE OF INTENSE LOVE, HATE, AND TENSION, I HOPE SECOND BROTHER CAN PLAY A GOOD ROLE IN LIGHTENING THE MOOD. IT\u0027S ALSO A HORSE, AND THIS CONTRAST CAN FURTHER EVOKE EVERYONE\u0027S AFFECTION AND LIKING. I THINK THIS IS ALSO EVERYONE\u0027S ACKNOWLEDGMENT OF MY SHAPING OF SUPPORTING CHARACTERS.", "tr": "...yo\u011fun a\u015fk, nefret, intikam ve gergin macera atmosferinde, \u0130kinci Abi\u0027nin iyi bir dengeleyici rol oynamas\u0131n\u0131 umuyorum. O ayn\u0131 zamanda bir at ve bu tezatl\u0131k, herkesin sempatisini ve be\u011fenisini daha \u00e7ok kazanabilir. Bence bu ayn\u0131 zamanda herkesin yard\u0131mc\u0131 karakterleri \u015fekillendirme bi\u00e7imime verdi\u011fi bir onayd\u0131r."}, {"bbox": ["0", "711", "875", "1119"], "fr": "Destrier Divin Ce Ying (Grand Fr\u00e8re Deux) \u00ab Cang Feng Xing \u00bb Q : \u00ab Cang Feng Xing \u00bb est publi\u00e9 depuis plus d\u0027un an, avec des pauses occasionnelles pour des raisons de sant\u00e9 ou pour \u00ab se laisser aller \u00bb. Est-ce un peu difficile de maintenir une mise \u00e0 jour hebdomadaire d\u0027aussi haute qualit\u00e9 ? Envisagez-vous de passer \u00e0 une lecture payante plus tard ? R : Pour l\u0027instant, nous n\u0027avons pas vraiment envisag\u00e9 la tarification. Nous avons investi beaucoup de temps et d\u0027\u00e9nergie, et cela fait plus d\u0027un an que nous cr\u00e9ons cette \u0153uvre, et nous esp\u00e9rons pouvoir continuer. Si tout le monde peut...", "id": "Kuda Dewa Ce Ying (Kakak Kedua) \"Zang Feng Xing\"\nT: \"Zang Feng Xing\" telah diserialisasikan selama lebih dari setahun, terkadang dihentikan karena alasan kesehatan atau saat ingin bersantai. Apakah mempertahankan update mingguan berkualitas tinggi seperti ini sedikit memaksakan? Apakah ada pertimbangan untuk menjadikannya bacaan berbayar di kemudian hari?\nJ: Untuk saat ini, kami belum terlalu memikirkan tentang biaya. Kami telah menghabiskan banyak waktu dan tenaga, dan hingga kini telah bertahan lebih dari setahun dalam membuat karya ini, berharap dapat terus melanjutkannya. Jika semua orang bisa...", "pt": "CAVALO DIVINO CE YING (SEGUNDO IRM\u00c3O) \u0027CANG FENG XING\u0027\nP: \u0027CANG FENG XING\u0027 EST\u00c1 EM SERIALIZA\u00c7\u00c3O H\u00c1 MAIS DE UM ANO, OCASIONALMENTE PAUSANDO POR MOTIVOS DE SA\u00daDE OU PARA \u0027SE SOLTAR\u0027. MANTER ATUALIZA\u00c7\u00d5ES SEMANAIS DE ALTA QUALIDADE ASSIM \u00c9 UM POUCO FOR\u00c7ADO? VOC\u00caS CONSIDERARAM COBRAR PELA LEITURA NO FUTURO?\nR: AINDA N\u00c3O CONSIDERAMOS SERIAMENTE A COBRAN\u00c7A. GASTAMOS MUITO TEMPO E ENERGIA, E PERSISTIMOS POR MAIS DE UM ANO NA CRIA\u00c7\u00c3O DESTA OBRA, ESPERANDO CONTINUAR A CRI\u00c1-LA. SE TODOS PUDEREM...", "text": "DIVINE STEED CE YING (SECOND BROTHER) *HIDDEN EDGE* Q: *HIDDEN EDGE* HAS BEEN SERIALIZED FOR OVER A YEAR, WITH OCCASIONAL HIATUSES DUE TO HEALTH REASONS OR TAKING A BREAK. IS IT A BIT DIFFICULT TO MAINTAIN SUCH HIGH-QUALITY WEEKLY UPDATES? HAVE YOU CONSIDERED MAKING IT PAID READING IN THE FUTURE? A: WE HAVEN\u0027T REALLY CONSIDERED MAKING IT PAID FOR NOW. WE\u0027VE SPENT A LOT OF TIME AND EFFORT, AND HAVE PERSISTED FOR OVER A YEAR TO CREATE THIS WORK, AND HOPE TO CONTINUE CREATING IT. IF EVERYONE CAN...", "tr": "\u0130lahi At Ce Ying (\u0130kinci Abi) \u0027Gizli K\u0131l\u0131\u00e7 Efsanesi\u0027\nS: \u0027Gizli K\u0131l\u0131\u00e7 Efsanesi\u0027 bir y\u0131ldan fazla bir s\u00fcredir yay\u0131nlan\u0131yor, bazen sa\u011fl\u0131k sorunlar\u0131 veya biraz serbest kalmak i\u00e7in ara veriliyor, bu kadar y\u00fcksek kaliteli haftal\u0131k g\u00fcncellemeyi s\u00fcrd\u00fcrmek biraz zorlay\u0131c\u0131 m\u0131? Gelecekte \u00fccretli okuma yapmay\u0131 d\u00fc\u015f\u00fcnd\u00fcn\u00fcz m\u00fc?\nC: \u00dccretlendirme konusunu \u015fimdilik \u00f6zellikle d\u00fc\u015f\u00fcnmedik. Bu eseri yaratmak i\u00e7in \u00e7ok zaman ve enerji harcad\u0131k ve bir y\u0131ldan fazla bir s\u00fcredir devam ediyoruz, umar\u0131m yaratmaya devam edebiliriz. E\u011fer herkes..."}, {"bbox": ["0", "711", "874", "1027"], "fr": "Destrier Divin Ce Ying (Grand Fr\u00e8re Deux) \u00ab Cang Feng Xing \u00bb Q : \u00ab Cang Feng Xing \u00bb est publi\u00e9 depuis plus d\u0027un an, avec des pauses occasionnelles pour des raisons de sant\u00e9 ou pour \u00ab se laisser aller \u00bb. Est-ce un peu difficile de maintenir une mise \u00e0 jour hebdomadaire d\u0027aussi haute qualit\u00e9 ? Envisagez-vous de passer \u00e0 une lecture payante plus tard ? R : Pour l\u0027instant, nous n\u0027avons pas vraiment envisag\u00e9 la tarification. Nous avons investi beaucoup de temps et d\u0027\u00e9nergie, et cela fait plus d\u0027un an que nous cr\u00e9ons cette \u0153uvre, et nous esp\u00e9rons pouvoir continuer. Si tout le monde peut...", "id": "Kuda Dewa Ce Ying (Kakak Kedua) \"Zang Feng Xing\"\nT: \"Zang Feng Xing\" telah diserialisasikan selama lebih dari setahun, terkadang dihentikan karena alasan kesehatan atau saat ingin bersantai. Apakah mempertahankan update mingguan berkualitas tinggi seperti ini sedikit memaksakan? Apakah ada pertimbangan untuk menjadikannya bacaan berbayar di kemudian hari?\nJ: Untuk saat ini, kami belum terlalu memikirkan tentang biaya. Kami telah menghabiskan banyak waktu dan tenaga, dan hingga kini telah bertahan lebih dari setahun dalam membuat karya ini, berharap dapat terus melanjutkannya. Jika semua orang bisa...", "pt": "CAVALO DIVINO CE YING (SEGUNDO IRM\u00c3O) \u0027CANG FENG XING\u0027\nP: \u0027CANG FENG XING\u0027 EST\u00c1 EM SERIALIZA\u00c7\u00c3O H\u00c1 MAIS DE UM ANO, OCASIONALMENTE PAUSANDO POR MOTIVOS DE SA\u00daDE OU PARA \u0027SE SOLTAR\u0027. MANTER ATUALIZA\u00c7\u00d5ES SEMANAIS DE ALTA QUALIDADE ASSIM \u00c9 UM POUCO FOR\u00c7ADO? VOC\u00caS CONSIDERARAM COBRAR PELA LEITURA NO FUTURO?\nR: AINDA N\u00c3O CONSIDERAMOS SERIAMENTE A COBRAN\u00c7A. GASTAMOS MUITO TEMPO E ENERGIA, E PERSISTIMOS POR MAIS DE UM ANO NA CRIA\u00c7\u00c3O DESTA OBRA, ESPERANDO CONTINUAR A CRI\u00c1-LA. SE TODOS PUDEREM...", "text": "DIVINE STEED CE YING (SECOND BROTHER) *HIDDEN EDGE* Q: *HIDDEN EDGE* HAS BEEN SERIALIZED FOR OVER A YEAR, WITH OCCASIONAL HIATUSES DUE TO HEALTH REASONS OR TAKING A BREAK. IS IT A BIT DIFFICULT TO MAINTAIN SUCH HIGH-QUALITY WEEKLY UPDATES? HAVE YOU CONSIDERED MAKING IT PAID READING IN THE FUTURE? A: WE HAVEN\u0027T REALLY CONSIDERED MAKING IT PAID FOR NOW. WE\u0027VE SPENT A LOT OF TIME AND EFFORT, AND HAVE PERSISTED FOR OVER A YEAR TO CREATE THIS WORK, AND HOPE TO CONTINUE CREATING IT. IF EVERYONE CAN...", "tr": "\u0130lahi At Ce Ying (\u0130kinci Abi) \u0027Gizli K\u0131l\u0131\u00e7 Efsanesi\u0027\nS: \u0027Gizli K\u0131l\u0131\u00e7 Efsanesi\u0027 bir y\u0131ldan fazla bir s\u00fcredir yay\u0131nlan\u0131yor, bazen sa\u011fl\u0131k sorunlar\u0131 veya biraz serbest kalmak i\u00e7in ara veriliyor, bu kadar y\u00fcksek kaliteli haftal\u0131k g\u00fcncellemeyi s\u00fcrd\u00fcrmek biraz zorlay\u0131c\u0131 m\u0131? Gelecekte \u00fccretli okuma yapmay\u0131 d\u00fc\u015f\u00fcnd\u00fcn\u00fcz m\u00fc?\nC: \u00dccretlendirme konusunu \u015fimdilik \u00f6zellikle d\u00fc\u015f\u00fcnmedik. Bu eseri yaratmak i\u00e7in \u00e7ok zaman ve enerji harcad\u0131k ve bir y\u0131ldan fazla bir s\u00fcredir devam ediyoruz, umar\u0131m yaratmaya devam edebiliriz. E\u011fer herkes..."}], "width": 900}, {"height": 1500, "img_url": "snowmtl.ru/latest/the-demon-blades/72/5.webp", "translations": [{"bbox": ["25", "3", "874", "733"], "fr": "Est-ce envisag\u00e9 ? R : Chaque cr\u00e9ateur d\u0027histoire esp\u00e8re que son \u0153uvre pourra avoir une pr\u00e9sentation diversifi\u00e9e, que ce soit en animation ou en film. La possibilit\u00e9 d\u0027une adaptation en animation ou en film d\u00e9pend \u00e9galement de la popularit\u00e9 de notre \u0153uvre et des \u00e9valuations de chacun. Donc, nous vous demandons \u00e0 tous de nous donner de bonnes critiques et de beaucoup nous recommander. Q : Avez-vous pens\u00e9 \u00e0 cr\u00e9er de nouvelles \u0153uvres en dehors de \u00ab Cang Feng Xing \u00bb ? Si vous pouviez cr\u00e9er librement une \u0153uvre avec un style et un contenu compl\u00e8tement diff\u00e9rents de l\u0027actuel, quel genre aimeriez-vous le plus essayer ? R : Je suis un fan de Harry Potter, j\u0027aimerais pouvoir dessiner une \u0153uvre sur le th\u00e8me scolaire. En raison du temps, la session Q\u0026A se termine ici. L\u0027artiste Liang Mian a r\u00e9pondu \u00e0 de nombreuses questions populaires, avez-vous appr\u00e9ci\u00e9 ? Enfin, voici une belle photo de l\u0027artiste Liang Mian !", "id": "...mendukung kami, apakah ada rencana untuk adaptasi (animasi/film)?\nJ: Setiap pencipta cerita berharap karyanya dapat disajikan dalam berbagai bentuk, baik itu animasi maupun film. Apakah bisa dianimasikan atau diadaptasi menjadi film juga tergantung pada popularitas karya kami dan evaluasi semua orang. Jadi, kami masih meminta semua orang untuk memberi kami banyak ulasan bagus dan banyak mempromosikannya.\nT: Pernahkah Anda berpikir untuk membuat karya baru selain \"Zang Feng Xing\"? Jika Anda bisa dengan bebas membuat karya dengan gaya dan konten yang sama sekali berbeda dari sekarang, jenis apa yang paling ingin Anda coba?\nJ: Saya penggemar Harry Potter, jadi saya berharap bisa menggambar karya bertema sekolah. Karena keterbatasan waktu, sesi T\u0026J berakhir di sini. Guru Liang Mian telah menjawab banyak pertanyaan populer dari semua orang, apakah kalian sudah puas? Terakhir, ini dia foto keren Guru Liang Mian!", "pt": "...EM CONSIDERA\u00c7\u00c3O?\nR: TODO CRIADOR DE HIST\u00d3RIAS ESPERA QUE SEU TRABALHO POSSA TER UMA APRESENTA\u00c7\u00c3O DIVERSIFICADA, SEJA EM ANIMA\u00c7\u00c3O OU FILME. SE PODE SER ADAPTADO PARA ANIMA\u00c7\u00c3O OU FILME TAMB\u00c9M DEPENDE DA POPULARIDADE DO NOSSO TRABALHO E DA AVALIA\u00c7\u00c3O DE TODOS. PORTANTO, PEDIMOS A TODOS QUE NOS DEEM BOAS CR\u00cdTICAS E RECOMENDEM BASTANTE. P: VOC\u00ca J\u00c1 PENSOU EM CRIAR UM NOVO TRABALHO AL\u00c9M DE \u0027CANG FENG XING\u0027? SE VOC\u00ca PUDESSE CRIAR LIVREMENTE UMA OBRA COM UM ESTILO E CONTE\u00daDO COMPLETAMENTE DIFERENTES DO ATUAL, QUE TIPO VOC\u00ca MAIS GOSTARIA DE TENTAR?\nR: EU SOU F\u00c3 DE HARRY POTTER, ENT\u00c3O GOSTARIA DE DESENHAR UMA OBRA COM TEMA ESCOLAR. DEVIDO A LIMITA\u00c7\u00d5ES DE TEMPO, O Q\u0026A TERMINA AQUI POR ENQUANTO. O PROFESSOR LIANG MIAN RESPONDEU A MUITAS PERGUNTAS POPULARES DE TODOS, VOC\u00caS SE DIVERTIRAM? FINALMENTE, UMA FOTO BONITA DO GRANDE LIANG MIAN!", "text": "DO YOU? A: EVERY STORY CREATOR HOPES THEIR WORK CAN BE PRESENTED IN DIVERSE WAYS, WHETHER AS ANIMATION OR FILM. WHETHER IT CAN BE ANIMATED OR ADAPTED INTO A FILM DEPENDS ON THE POPULARITY AND REVIEWS OF OUR WORK. SO PLEASE GIVE US MORE POSITIVE REVIEWS AND RECOMMENDATIONS. Q: HAVE YOU THOUGHT ABOUT CREATING NEW WORKS BEYOND *HIDDEN EDGE*? IF YOU COULD FREELY CREATE A WORK COMPLETELY DIFFERENT IN STYLE AND CONTENT FROM THE CURRENT ONE, WHAT TYPE WOULD YOU MOST LIKE TO TRY? A: I\u0027M A HARRY POTTER FAN, SO I\u0027D LIKE TO DRAW A SCHOOL-THEMED WORK. DUE TO TIME CONSTRAINTS, THE Q\u0026A ENDS HERE. LEAD ARTIST LIANGMIAN HAS ANSWERED MANY POPULAR QUESTIONS. DID YOU ENJOY IT? FINALLY, HERE\u0027S A HANDSOME PHOTO OF LEAD ARTIST LIANGMIAN!", "tr": "...desteklerse?\nC: Her hikaye yarat\u0131c\u0131s\u0131, eserinin animasyon veya film gibi \u00e7e\u015fitli \u015fekillerde sunulmas\u0131n\u0131 umar. Animeye veya filme uyarlan\u0131p uyarlanamayaca\u011f\u0131, eserimizin pop\u00fclaritesine ve herkesin de\u011ferlendirmelerine ba\u011fl\u0131d\u0131r. Bu y\u00fczden herkesten bize bolca olumlu yorum yapmas\u0131n\u0131 ve \u00e7ok\u00e7a tavsiye etmesini rica ediyoruz.\nS: \u0027Gizli K\u0131l\u0131\u00e7 Efsanesi\u0027 d\u0131\u015f\u0131nda yeni bir eser yaratmay\u0131 d\u00fc\u015f\u00fcnd\u00fcn\u00fcz m\u00fc? E\u011fer \u015fu anki tarz ve i\u00e7erikten tamamen farkl\u0131 bir eser yaratma \u00f6zg\u00fcrl\u00fc\u011f\u00fcn\u00fcz olsayd\u0131, en \u00e7ok hangi t\u00fcr\u00fc denemek isterdiniz?\nC: Ben bir Harry Potter hayran\u0131y\u0131m, okul temal\u0131 bir eser \u00e7izmeyi umard\u0131m. Zaman k\u0131s\u0131tlamas\u0131 nedeniyle Soru-Cevap b\u00f6l\u00fcm\u00fc \u015fimdilik burada sona eriyor. Liangmian Hoca herkesin bir\u00e7ok pop\u00fcler sorusunu yan\u0131tlad\u0131, keyif ald\u0131n\u0131z m\u0131? Son olarak Liangmian Hoca\u0027n\u0131n yak\u0131\u015f\u0131kl\u0131 bir foto\u011fraf\u0131n\u0131 payla\u015f\u0131yoruz!"}, {"bbox": ["25", "3", "874", "733"], "fr": "Est-ce envisag\u00e9 ? R : Chaque cr\u00e9ateur d\u0027histoire esp\u00e8re que son \u0153uvre pourra avoir une pr\u00e9sentation diversifi\u00e9e, que ce soit en animation ou en film. La possibilit\u00e9 d\u0027une adaptation en animation ou en film d\u00e9pend \u00e9galement de la popularit\u00e9 de notre \u0153uvre et des \u00e9valuations de chacun. Donc, nous vous demandons \u00e0 tous de nous donner de bonnes critiques et de beaucoup nous recommander. Q : Avez-vous pens\u00e9 \u00e0 cr\u00e9er de nouvelles \u0153uvres en dehors de \u00ab Cang Feng Xing \u00bb ? Si vous pouviez cr\u00e9er librement une \u0153uvre avec un style et un contenu compl\u00e8tement diff\u00e9rents de l\u0027actuel, quel genre aimeriez-vous le plus essayer ? R : Je suis un fan de Harry Potter, j\u0027aimerais pouvoir dessiner une \u0153uvre sur le th\u00e8me scolaire. En raison du temps, la session Q\u0026A se termine ici. L\u0027artiste Liang Mian a r\u00e9pondu \u00e0 de nombreuses questions populaires, avez-vous appr\u00e9ci\u00e9 ? Enfin, voici une belle photo de l\u0027artiste Liang Mian !", "id": "...mendukung kami, apakah ada rencana untuk adaptasi (animasi/film)?\nJ: Setiap pencipta cerita berharap karyanya dapat disajikan dalam berbagai bentuk, baik itu animasi maupun film. Apakah bisa dianimasikan atau diadaptasi menjadi film juga tergantung pada popularitas karya kami dan evaluasi semua orang. Jadi, kami masih meminta semua orang untuk memberi kami banyak ulasan bagus dan banyak mempromosikannya.\nT: Pernahkah Anda berpikir untuk membuat karya baru selain \"Zang Feng Xing\"? Jika Anda bisa dengan bebas membuat karya dengan gaya dan konten yang sama sekali berbeda dari sekarang, jenis apa yang paling ingin Anda coba?\nJ: Saya penggemar Harry Potter, jadi saya berharap bisa menggambar karya bertema sekolah. Karena keterbatasan waktu, sesi T\u0026J berakhir di sini. Guru Liang Mian telah menjawab banyak pertanyaan populer dari semua orang, apakah kalian sudah puas? Terakhir, ini dia foto keren Guru Liang Mian!", "pt": "...EM CONSIDERA\u00c7\u00c3O?\nR: TODO CRIADOR DE HIST\u00d3RIAS ESPERA QUE SEU TRABALHO POSSA TER UMA APRESENTA\u00c7\u00c3O DIVERSIFICADA, SEJA EM ANIMA\u00c7\u00c3O OU FILME. SE PODE SER ADAPTADO PARA ANIMA\u00c7\u00c3O OU FILME TAMB\u00c9M DEPENDE DA POPULARIDADE DO NOSSO TRABALHO E DA AVALIA\u00c7\u00c3O DE TODOS. PORTANTO, PEDIMOS A TODOS QUE NOS DEEM BOAS CR\u00cdTICAS E RECOMENDEM BASTANTE. P: VOC\u00ca J\u00c1 PENSOU EM CRIAR UM NOVO TRABALHO AL\u00c9M DE \u0027CANG FENG XING\u0027? SE VOC\u00ca PUDESSE CRIAR LIVREMENTE UMA OBRA COM UM ESTILO E CONTE\u00daDO COMPLETAMENTE DIFERENTES DO ATUAL, QUE TIPO VOC\u00ca MAIS GOSTARIA DE TENTAR?\nR: EU SOU F\u00c3 DE HARRY POTTER, ENT\u00c3O GOSTARIA DE DESENHAR UMA OBRA COM TEMA ESCOLAR. DEVIDO A LIMITA\u00c7\u00d5ES DE TEMPO, O Q\u0026A TERMINA AQUI POR ENQUANTO. O PROFESSOR LIANG MIAN RESPONDEU A MUITAS PERGUNTAS POPULARES DE TODOS, VOC\u00caS SE DIVERTIRAM? FINALMENTE, UMA FOTO BONITA DO GRANDE LIANG MIAN!", "text": "DO YOU? A: EVERY STORY CREATOR HOPES THEIR WORK CAN BE PRESENTED IN DIVERSE WAYS, WHETHER AS ANIMATION OR FILM. WHETHER IT CAN BE ANIMATED OR ADAPTED INTO A FILM DEPENDS ON THE POPULARITY AND REVIEWS OF OUR WORK. SO PLEASE GIVE US MORE POSITIVE REVIEWS AND RECOMMENDATIONS. Q: HAVE YOU THOUGHT ABOUT CREATING NEW WORKS BEYOND *HIDDEN EDGE*? IF YOU COULD FREELY CREATE A WORK COMPLETELY DIFFERENT IN STYLE AND CONTENT FROM THE CURRENT ONE, WHAT TYPE WOULD YOU MOST LIKE TO TRY? A: I\u0027M A HARRY POTTER FAN, SO I\u0027D LIKE TO DRAW A SCHOOL-THEMED WORK. DUE TO TIME CONSTRAINTS, THE Q\u0026A ENDS HERE. LEAD ARTIST LIANGMIAN HAS ANSWERED MANY POPULAR QUESTIONS. DID YOU ENJOY IT? FINALLY, HERE\u0027S A HANDSOME PHOTO OF LEAD ARTIST LIANGMIAN!", "tr": "...desteklerse?\nC: Her hikaye yarat\u0131c\u0131s\u0131, eserinin animasyon veya film gibi \u00e7e\u015fitli \u015fekillerde sunulmas\u0131n\u0131 umar. Animeye veya filme uyarlan\u0131p uyarlanamayaca\u011f\u0131, eserimizin pop\u00fclaritesine ve herkesin de\u011ferlendirmelerine ba\u011fl\u0131d\u0131r. Bu y\u00fczden herkesten bize bolca olumlu yorum yapmas\u0131n\u0131 ve \u00e7ok\u00e7a tavsiye etmesini rica ediyoruz.\nS: \u0027Gizli K\u0131l\u0131\u00e7 Efsanesi\u0027 d\u0131\u015f\u0131nda yeni bir eser yaratmay\u0131 d\u00fc\u015f\u00fcnd\u00fcn\u00fcz m\u00fc? E\u011fer \u015fu anki tarz ve i\u00e7erikten tamamen farkl\u0131 bir eser yaratma \u00f6zg\u00fcrl\u00fc\u011f\u00fcn\u00fcz olsayd\u0131, en \u00e7ok hangi t\u00fcr\u00fc denemek isterdiniz?\nC: Ben bir Harry Potter hayran\u0131y\u0131m, okul temal\u0131 bir eser \u00e7izmeyi umard\u0131m. Zaman k\u0131s\u0131tlamas\u0131 nedeniyle Soru-Cevap b\u00f6l\u00fcm\u00fc \u015fimdilik burada sona eriyor. Liangmian Hoca herkesin bir\u00e7ok pop\u00fcler sorusunu yan\u0131tlad\u0131, keyif ald\u0131n\u0131z m\u0131? Son olarak Liangmian Hoca\u0027n\u0131n yak\u0131\u015f\u0131kl\u0131 bir foto\u011fraf\u0131n\u0131 payla\u015f\u0131yoruz!"}, {"bbox": ["25", "3", "874", "733"], "fr": "Est-ce envisag\u00e9 ? R : Chaque cr\u00e9ateur d\u0027histoire esp\u00e8re que son \u0153uvre pourra avoir une pr\u00e9sentation diversifi\u00e9e, que ce soit en animation ou en film. La possibilit\u00e9 d\u0027une adaptation en animation ou en film d\u00e9pend \u00e9galement de la popularit\u00e9 de notre \u0153uvre et des \u00e9valuations de chacun. Donc, nous vous demandons \u00e0 tous de nous donner de bonnes critiques et de beaucoup nous recommander. Q : Avez-vous pens\u00e9 \u00e0 cr\u00e9er de nouvelles \u0153uvres en dehors de \u00ab Cang Feng Xing \u00bb ? Si vous pouviez cr\u00e9er librement une \u0153uvre avec un style et un contenu compl\u00e8tement diff\u00e9rents de l\u0027actuel, quel genre aimeriez-vous le plus essayer ? R : Je suis un fan de Harry Potter, j\u0027aimerais pouvoir dessiner une \u0153uvre sur le th\u00e8me scolaire. En raison du temps, la session Q\u0026A se termine ici. L\u0027artiste Liang Mian a r\u00e9pondu \u00e0 de nombreuses questions populaires, avez-vous appr\u00e9ci\u00e9 ? Enfin, voici une belle photo de l\u0027artiste Liang Mian !", "id": "...mendukung kami, apakah ada rencana untuk adaptasi (animasi/film)?\nJ: Setiap pencipta cerita berharap karyanya dapat disajikan dalam berbagai bentuk, baik itu animasi maupun film. Apakah bisa dianimasikan atau diadaptasi menjadi film juga tergantung pada popularitas karya kami dan evaluasi semua orang. Jadi, kami masih meminta semua orang untuk memberi kami banyak ulasan bagus dan banyak mempromosikannya.\nT: Pernahkah Anda berpikir untuk membuat karya baru selain \"Zang Feng Xing\"? Jika Anda bisa dengan bebas membuat karya dengan gaya dan konten yang sama sekali berbeda dari sekarang, jenis apa yang paling ingin Anda coba?\nJ: Saya penggemar Harry Potter, jadi saya berharap bisa menggambar karya bertema sekolah. Karena keterbatasan waktu, sesi T\u0026J berakhir di sini. Guru Liang Mian telah menjawab banyak pertanyaan populer dari semua orang, apakah kalian sudah puas? Terakhir, ini dia foto keren Guru Liang Mian!", "pt": "...EM CONSIDERA\u00c7\u00c3O?\nR: TODO CRIADOR DE HIST\u00d3RIAS ESPERA QUE SEU TRABALHO POSSA TER UMA APRESENTA\u00c7\u00c3O DIVERSIFICADA, SEJA EM ANIMA\u00c7\u00c3O OU FILME. SE PODE SER ADAPTADO PARA ANIMA\u00c7\u00c3O OU FILME TAMB\u00c9M DEPENDE DA POPULARIDADE DO NOSSO TRABALHO E DA AVALIA\u00c7\u00c3O DE TODOS. PORTANTO, PEDIMOS A TODOS QUE NOS DEEM BOAS CR\u00cdTICAS E RECOMENDEM BASTANTE. P: VOC\u00ca J\u00c1 PENSOU EM CRIAR UM NOVO TRABALHO AL\u00c9M DE \u0027CANG FENG XING\u0027? SE VOC\u00ca PUDESSE CRIAR LIVREMENTE UMA OBRA COM UM ESTILO E CONTE\u00daDO COMPLETAMENTE DIFERENTES DO ATUAL, QUE TIPO VOC\u00ca MAIS GOSTARIA DE TENTAR?\nR: EU SOU F\u00c3 DE HARRY POTTER, ENT\u00c3O GOSTARIA DE DESENHAR UMA OBRA COM TEMA ESCOLAR. DEVIDO A LIMITA\u00c7\u00d5ES DE TEMPO, O Q\u0026A TERMINA AQUI POR ENQUANTO. O PROFESSOR LIANG MIAN RESPONDEU A MUITAS PERGUNTAS POPULARES DE TODOS, VOC\u00caS SE DIVERTIRAM? FINALMENTE, UMA FOTO BONITA DO GRANDE LIANG MIAN!", "text": "DO YOU? A: EVERY STORY CREATOR HOPES THEIR WORK CAN BE PRESENTED IN DIVERSE WAYS, WHETHER AS ANIMATION OR FILM. WHETHER IT CAN BE ANIMATED OR ADAPTED INTO A FILM DEPENDS ON THE POPULARITY AND REVIEWS OF OUR WORK. SO PLEASE GIVE US MORE POSITIVE REVIEWS AND RECOMMENDATIONS. Q: HAVE YOU THOUGHT ABOUT CREATING NEW WORKS BEYOND *HIDDEN EDGE*? IF YOU COULD FREELY CREATE A WORK COMPLETELY DIFFERENT IN STYLE AND CONTENT FROM THE CURRENT ONE, WHAT TYPE WOULD YOU MOST LIKE TO TRY? A: I\u0027M A HARRY POTTER FAN, SO I\u0027D LIKE TO DRAW A SCHOOL-THEMED WORK. DUE TO TIME CONSTRAINTS, THE Q\u0026A ENDS HERE. LEAD ARTIST LIANGMIAN HAS ANSWERED MANY POPULAR QUESTIONS. DID YOU ENJOY IT? FINALLY, HERE\u0027S A HANDSOME PHOTO OF LEAD ARTIST LIANGMIAN!", "tr": "...desteklerse?\nC: Her hikaye yarat\u0131c\u0131s\u0131, eserinin animasyon veya film gibi \u00e7e\u015fitli \u015fekillerde sunulmas\u0131n\u0131 umar. Animeye veya filme uyarlan\u0131p uyarlanamayaca\u011f\u0131, eserimizin pop\u00fclaritesine ve herkesin de\u011ferlendirmelerine ba\u011fl\u0131d\u0131r. Bu y\u00fczden herkesten bize bolca olumlu yorum yapmas\u0131n\u0131 ve \u00e7ok\u00e7a tavsiye etmesini rica ediyoruz.\nS: \u0027Gizli K\u0131l\u0131\u00e7 Efsanesi\u0027 d\u0131\u015f\u0131nda yeni bir eser yaratmay\u0131 d\u00fc\u015f\u00fcnd\u00fcn\u00fcz m\u00fc? E\u011fer \u015fu anki tarz ve i\u00e7erikten tamamen farkl\u0131 bir eser yaratma \u00f6zg\u00fcrl\u00fc\u011f\u00fcn\u00fcz olsayd\u0131, en \u00e7ok hangi t\u00fcr\u00fc denemek isterdiniz?\nC: Ben bir Harry Potter hayran\u0131y\u0131m, okul temal\u0131 bir eser \u00e7izmeyi umard\u0131m. Zaman k\u0131s\u0131tlamas\u0131 nedeniyle Soru-Cevap b\u00f6l\u00fcm\u00fc \u015fimdilik burada sona eriyor. Liangmian Hoca herkesin bir\u00e7ok pop\u00fcler sorusunu yan\u0131tlad\u0131, keyif ald\u0131n\u0131z m\u0131? Son olarak Liangmian Hoca\u0027n\u0131n yak\u0131\u015f\u0131kl\u0131 bir foto\u011fraf\u0131n\u0131 payla\u015f\u0131yoruz!"}], "width": 900}, {"height": 227, "img_url": "snowmtl.ru/latest/the-demon-blades/72/6.webp", "translations": [{"bbox": ["399", "33", "496", "83"], "fr": "-FIN-", "id": "-SELESAI-", "pt": "-FIM-", "text": "-END-", "tr": "-SON-"}, {"bbox": ["414", "145", "836", "207"], "fr": "", "id": "", "pt": "O MAIS R\u00c1PIDO E EST\u00c1VEL,", "text": "...", "tr": "En h\u0131zl\u0131 ve en kararl\u0131,"}, {"bbox": ["288", "147", "709", "205"], "fr": "", "id": "", "pt": "O MAIS R\u00c1PIDO E EST\u00c1VEL,", "text": "...", "tr": "En h\u0131zl\u0131 ve en kararl\u0131,"}], "width": 900}]

Manhua